Tutorial

Putting the Power into the Power Swing

January 2, 2019 By Kristy Agan Leave a Comment

Kristy Agan RKC Team Leader Power Kettlebell Swing

When I was introduced to kettlebells in 2006, how to start the kettlebell swing was not something that I was taught. Upon entering the world of RKC, I learned the importance of the beginning of the swing. I was amazed by the instant improvement in my technique from solely focusing on how I started my swing. After all, the start of the swing is where we generate all of our power. If we don’t learn how to begin the swing, then we only end up with terrible looking, inefficient swings. In this blog post, I want to specifically discuss the power swing, sometimes known as the dead start swing. The power swing is a drill that I love to use in my own training and with my clients. Unfortunately, and even after a workshop, it’s easy to forget this humble but effective drill. So, we should revisit and use it that much more in our training.

What is a Power Swing?

In short, it is the “hike to stand” and “back to the start” portions of the swing, repeated for reps.

The power swing is super effective for teaching solid swings because it:

Teaches and reinforces the “hinge” and “back swing”.
Teaches us to create “pulling” power from the lats.
Strengthens the hike to stand portion of the swing—which is where all the power for the rest of our swings in the set comes from.
Increases strength in the hamstring & glutes—much like deadlifts and power cleans.
Correct posture issues in the start position, or will very quickly reveal weaknesses that need to be addressed ASAP to avoid potential injury.
Crosses over to stronger lifts, specifically the barbell deadlift.
Carries over into stronger plyometric movements such as jumping and sprinting, making it essential for athletes.
Teaches a strong start of the swing leading to stronger cleans and snatches.

The power swing can be taught to and used with clients when they are just learning or even struggling with their technique. I like to use “fast and loose” intervals for active recovery when teaching the power swing. It keeps my clients moving, but allows extra recovery time for the hips, hamstrings, and glutes.

If you have clients who especially need to work on their mobility, try super sets of power swings with a mobility drill. They’ll be able to address the mobility issues revealed during their practice sets.

Here are some examples of mobility drills to super set with power swings:

If the client has a rounded back, use the wall hinge drill or thoracic bridge.
If the client doesn’t finish through with their hips at top of the swing, superset with the RKC hip flexor stretch, bridge, or frog stretch.
If the client pulls the kettlebell up with their shoulders instead of snapping their hips, superset the power swings with the towel drill.

How to Teach the Power Swing

Set hike position
Swing once and return to start

Repeat up to 10 rounds depending on the client’s fitness level and technique issues. Add in mobility and/or corrective drills between rounds as necessary.

For high performing clients, you can turn power swings into a grueling strength workout by increasing rounds and/or number of reps per round. Be sure to design the workout with the safety and skill level of the client or group in mind.

In the video below, I purposefully selected a wide range of clients to show how a power swing routine can work for a group with a variety of fitness levels—which most trainers will see any given day. The clients in the video range in age from 18 to 62. Both men and women are following the routine. The group also includes a breast cancer survivor, a client who had hip labrum surgery, a few HKC certified instructors, and a few beginners who learned to swing kettlebells only a week before this video. The finisher in the video is also suitable for a mixed group. Obviously, I can make it much harder for my advanced clients, but for the sake of this video I kept it simple. We focused on the power swings with a few short breaks.

***The workout in the video below is only for clients who have demonstrated they can perform a solid kettlebell deadlift and have been introduced to the swing***

For more specialized groups—martial artists, youth athletes, advanced adults, pair higher rep (or heavier kettlebell) power swings with tougher movements such as burpees, full bridges, advanced push-up variations, renegade rows, heavy kettlebell floor presses, fast & loose drills, and/or sport specific drills.

Below is a short clip of my husband and I demonstrating a ladder routine with power swings and push-ups. Before you begin the routine, line up three kettlebells from light to heavy. Perform three swings with the light kettlebell, two swings with the middle kettlebell, one swing with the heavier kettlebell, and finally one push-up. Each round, increase the push-up reps each round. Set a timer for ten minutes and see how many rounds you can do well. It’s simple, but effective.

Our swings are only as good as the power we are able to create from the ground up. Just like with any sport, teaching and drilling the fundamentals are how star athletes are born. When we forget the fundamentals, we lose our edge. The power swing is a fundamental element many of us are missing in our Hardstyle kettlebell training. It’s time to go back to the fundamentals that made us the solid RKC instructors we are today. It’s time to practice the power swing!

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RKC Team Leader Kristy Agan is also a PCC Instructor, American Council of Exercise (ACE) and TRX qualified personal trainer. She owns and operates KA Athletics in Rome, Georgia. Kristy also maintains an online training business kristyagan.com. Follow Kristy on Instagram @kristyagan and Twitter @kristyagan or on Facebook at https://www.facebook.com/Kristy.Agan.Trainer

Three Ways to Reinforce Tension

October 24, 2018 By William Sturgeon Leave a Comment

William Sturgeon Kettlebell Swing

We commonly coach our clients to create tension with cues such as “brace the core”, “tighten the glutes”, “crush the handle”, etc. These phrases can help get clients to create tension in their lifts. You may see the specific group of muscles tighten, or a change in your client’s face when you ask them to create more tension.

Deconditioned clients are often unable to create tension through a specific area at first. It’s important that we spend time teaching them certain drills and use different cues to help them find the ability to create tension. It can be challenging to teach people how to apply tension during a lift.

Why Reinforcing Tension is an Important Skill to Practice and Teach:

Tension Keeps You Safe
Ballistic movements like the kettlebell swing require that we move rapidly—and if the movement is done incorrectly it can lead to injury. Kettlebells are not unsafe tools—users with bad technique are unsafe. Placing an emphasis on stressing the muscle with tension will allow you and your clients to work on technique without irritating the joints as much.

Tension Builds Strength
Your muscles recognize tension, not load—this is why we should focus on contracting the muscle before and during the exercise. Using “time under tension” (TUT), you can stimulate the muscle for greater growth. The denser the muscle, the stronger the body. Producing more tension throughout your lifts can also help generate more force.

Tension Stimulates Muscle Growth
Creating mechanical tension is one the of the primary factors associated with muscle growth. Mechanical tension is created by stressing the muscle throughout its full range of motion during an exercise. The phrase “time under tension” (or ‘TUT’ as referenced in the paragraph above) relates to the amount of time we’re stressing the muscle during an exercise. The more tension created during an exercise, the more muscle that will be recruited to perform the task. In turn, this gives the muscle a greater growth stimulus.

Drills That Teach How to Create and Reinforce Tension:

Hardstyle Plank
The RKC Hardstyle plank is the traditional plank’s older, much cooler brother. While a traditional plank is good for teaching a client to engage or brace their core, the client can still perform it poorly or fall short of the correct amount of tension we are looking to create. The Hardstyle plank creates a lot more tension than a regular plank. Most regular planks are held for 30 seconds or more, but the more intense Hardstyle plank is held for a much shorter amount of time maximizing the body’s full strength potential.

How to perform the Hardstyle Plank:

Isometrics
During isometric exercises, the muscle tenses but its length remains the same. A good example of an isometric exercise is an RKC drill we use to help pry open the hips. We place the client in the bottom position of a kettlebell goblet squat, then ask them to create a great amount of tension while forcing “prying” the hips out—all while keeping the hips in place. This powerful drill can help your clients find their glutes while understanding the amount of tension they need to create at the top position of their squat.

How to Perform an Isometric Hip Prying Drill

Time Under Tension
Time under tension is one of the greatest tools for helping our clients create or reinforce tension. Coach the client through a “grind” exercise—such as a kettlebell press—during a set amount of time. The kettlebell press can be performed and progressed in many ways, though most people will immediately want to just increase the weight. But, if we apply “time under tension” to the kettlebell press, we can make a lighter kettlebell feel far heavier. This can help a client spend more “time under tension” while safely finetuning their technique.

The Time Under Tension Kettlebell Press

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William Sturgeon, RKC II trains clients at his gym, Restored Strength. Contact him through his website at RestoredStrength.com or follow him on Facebook: facebook.com/restoredstrength

Beyond the See-Saw Press: Two New Variations

August 8, 2018 By Nick Collias Leave a Comment

Z-Saw Kettlebell Press Nick Collias
Some lifts just never feel quite right, no matter how hard we try to force them to do so. Others are a willing dance partner from the first rep. And from the first time I tried it, the see-saw press just felt right.

Unlike the single-arm press, which took months (er, years) to share the ideal groove, the see-saw offered it up instantly. And because it’s a rhythmic push with a bit of a pull (or an eccentric push that feels like a pull), it demands that all manner of anterior, posterior, lateral, and deep core muscles get in the game of tug-o-war. Any experienced RKC can tell you that this extra activation usually allows you to get 2-3 extra reps, maybe more, with any given weight than what you’d manage with either single-arm or double-arm presses.

That translates to extra strength, extra volume, extra activation, and extra-efficient training. Extra awesome.

Those are all reasons to try the see-saw press. But they’re also reasons to explore different variations of the movement. Here are two variations that have quickly become my two favorite presses, period.

To be clear, I make no claim to inventing either of them. Somebody else probably did long ago. I just happened across them in my training, picked them up, and am now passing them along.

Z-Saw Press

This is nothing more than a seated see-saw press in a straddle position, or what is known as a Z-press. But that alteration changes the lift dramatically.

What I dig about it:

Sure, it brings the wicked shoulder pump, but it also ties in more total upper body musculature than any press I’ve tried—even more than the standing see-saw press. All the postural muscles of the upper back light up, but so does the core. When those groups are both working hard, I know I’m doing something right.
Lumbar hyperextension is pretty much impossible with this lift. Not so with the standing see-saw. This makes it a great way to work around an achy lower back, or just one, like mine, that just doesn’t like to work hard early in the morning when I tend to train.
No clean is needed. That’s not an advantage or disadvantage; it’s just a feature of the lift. This means it lends itself more cleanly to an upper/lower split, if you prefer that approach.
Perhaps because the upper back and core are so integrated, I find it also lends itself better than other press variations to grinding out a few hard reps at the end of a set, while still being safe on the shoulder joint.

This is one reason why I like it with a DeLorme Protocol-style approach:

10 reps light, or around half of 10RM
10 reps medium, or about .75 of 10RM
10 reps with more or less a 10RM

Z Saw Kettlebell Press Side view Nick Collias — Look forward or look up; either way, your postural muscles and pressing muscles will both work overtime.

Keeping a set at a 10RM or lighter also keeps you from having to figure out how to get two seriously heavy bells into position. Just curl it up and go.

One more technique note: In a recent email, Master RKC Andrea Du Cane mentioned that she recommends most people—men in particular—sit on a yoga block or something similar during Z-press variations, because otherwise they often struggle achieve a neutral pelvis and spine position on the ground. Me, I like something about half to two-thirds yoga block-height, like one of those hardcover college textbooks you haven’t done anything with in a long time. The Modern Library edition of Plutarch’s Lives of the Noble Greeks and Romans is just about perfect.

Swollias Press

This movement took on my nickname at work (I do work at Bodybuilding.com, after all), simply because I’d never seen it before, and the nomenclature alternatives are all pretty complicated. “Alternating see-saw kettlebell thruster,” anyone? No thanks. Let’s go with Swollias.

As with the Z-saw, this isn’t a new lift so much as it is a combination of existing ones. Here’s how to do it:

Clean a pair of kettlebells, either from a dead stop or with a swing. You can do it with two matching weights, or two uneven ones. It works great with both.
Perform a single front squat, and on the way up, press one of the kettlebells up while keeping the other in the rack.
Lower the top bell into the rack. A second clean is optional here.
Squat again, and on the way up, press the other bell. You can then set the kettlebells down and shake it off before going again, or you could keep piston-pumping reps as long as you want.

What’s the advantage? Well, having a bell in the rack means you’re forced to keep an upright torso and tight core. I like the single-kettlebell thruster, but find it can get a little sloppy and forward-leaning under fatigue. This variation holds a little firmer, in my experience.

"Swollias" Kettlebell Combo Sequence Nick Collias — Lots of cleans, lots of squats, lots of time in the rack. What more do you want?

On the flipside, it doesn’t require the same level of thoracic mobility as a double-kettlebell press or thruster, and once again, lumbar hyperextension is hard to slip into with this variation. Definitely not so with the double kettlebells.

With heaver weight, I like to treat these as a little mini-complex, kind of like Dan John’s “Armor-building” complex of two cleans, one press, and three squats. One round of clean, squat, press, clean (optional), squat, press every 30 seconds, or on the minute, is a great routine. Do it for 10-20 minutes, and it adds up to lots of cleans, lots of squats, lots of time in the rack.

Alternately, you could use a lighter weight, up the reps, and just see what cries “Uncle” first.

How To Use These Lifts

There’s a time to train like you’re chasing something—say, a half-bodyweight press for an RKC-II certification—and there’s a time to train like you’re not. And when I’m not chasing, I like to mix my presses up. A lot.

For the last few months, my favorite way to do this is to use Dan John’s press and suspension strap circuit from this article on Bodybuilding.com as a template, and swap out press variations based on whatever feels good that day. Both of these press variations have been regulars in the batting order.

Don’t confuse this with “program hopping,” that oft-maligned symptom of exercise ADD. The parameters and the basic movement patterns don’t change much; just the specifics do. If I want to change every workout, fine. If I want to do the same thing for three weeks, fine.

This approach keeps me excited to train, allows me to sneak into moderate rep PRs regularly, but also allows—or maybe forces—me to learn and explore new lifts, either those that I see out in the world, or that I cook up on my own in a moment of living room inspiration. These are two of the latter. Enjoy!

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Nick Collias, RKC-II, PCC, is the executive editor at Bodybuilding.com, and the host of the Bodybuilding.com Podcast. You can read and hear more of his work at Bodybuilding.com.

Rubik’s Get-Up

May 2, 2018 By Annie Vo Leave a Comment

Annie Vo Get-Up Rubiks Cube
When I first learned to perform a get-up, I was unsure of its purpose. It seemed almost like a series of random movements, ultimately resulting in getting off the floor. Of course, being able to get off the floor safely has its advantages, but even when progressing with resistance, it was still somewhat of a mystery to me.

Sometimes in order to understand new information, it is helpful to liken it to something old. The use of analogies in teaching has been shown to have a positive impact on the way we process new data. Analogies foster learning by highlighting the similarities between what we already know and that which we seek. The mind is complex.

Over the years I have come to think of the get-up like a Rubik’s Cube.

The Rubik’s Cube is a 3-D combination puzzle invented in 1974 by Hungarian sculptor and professor of architecture Erno Rubik. Originally called the Magic Cube, the goal is to align all of the color-coded squares on each side through a series of pivots. The shifts of the cube are smooth, tracking on an internal core track until the final destination is reached. The cube is considered incomplete if the sides are not aligned appropriately.

Although it is widely misreported that Dr. Rubik created “the cube” to be a teaching tool to help his students understand 3-D objects, his actual purpose was to solve the structural problems of moving parts independently—without the entire mechanism falling apart! In many ways, the get-up has the same goal.

Each movement in the get-up is a pivot from the body’s core joints—the hips and shoulders. The pivoting should be smooth. Once the position is established, all “sides” of the get-up cube should also be aligned. The spine must be straight throughout the get-up. The body’s center of gravity must be balanced between the limbs. The angles of the hips and shoulders positioned to provide maximum support and stability. Each limb, joint and muscle must be arranged and coiled underneath the weight overhead to create a solid foundation.

As you develop your technique, you are likely to discover information about how you move, including strengths and weakness, balances and imbalances, and which areas should be developed. Your get-up is your sculpture. It is constantly evolving. The way you perform each pivot, swivel and shift can reveal or obscure what is truly beneath the surface. If you rush it, then you’ll miss the point.

As a Senior RKC Instructor, I’ve had the privilege of teaching the get-up to hundreds of coaches and kettlebell enthusiasts, spanning a multitude of backgrounds. Throughout my tenure, I’ve noticed that there are three common places in the get-up where symmetry and alignment tend to get neglected, even among experienced get-uppers. Here they are:

Initial Shift to the Elbow

The get-up begins in a lying position and is initiated by rolling up to your (unloaded) side. It is to be performed without any jerking or momentum. Imagine your trunk is one unbending steel rod that must be adjusted by wedging between the hip and shoulder. The result is a straight, stacked vertical line from the ground to overhead—a track as clear as the pathway of a Rubik’s Cube’s axis.

However, often the shoulder of the planted arm is forgotten in the pursuit of this vertical line, and sags forward. This is usually the result of not knowing how to find the alignment, and overcompensating. In short, it may feel like it’s lined up but it isn’t. If this is the case, there is unnecessary pressure on the front of the shoulder. To avoid this, make sure to preserve your vertical line by employing the support of the greatest shoulder stabilizer you have—the lat.

Problem shoulder position—Shoulder is rounded and relaxed.

Proper shoulder position—Shoulder is aligned and lat is packed.

Shift to the “Tall Sit”

When moving from the elbow to the straight arm seated position, the support shoulder has a tendency to rotate forward, therefore “exposing” itself and falling out of alignment. The support arm is arguably the most important part of the “tall sit” portion of the get-up because it determines whether you will be able to support your overhead weight (and bodyweight) while your legs swing under you. The support arm (and opposite leg) are responsible for supporting the body as it is lifted and rotated like a Rubik’s Cube.

To perform this transition with the greatest mechanical advantage, make sure your shoulder is in line with your planted hand and also rotated back and down, to ensure that the lat muscle is engaged.

Problem shoulder position—Shoulder is rounded forward.

Proper shoulder position—Shoulder is rounded back and in line with the hand.

Leg Sweep (both directions)

From the “tall sit” position, rotate your leg under your body, and place your knee on the ground. Sometimes people don’t bring the leg far enough under, on the way up. Remember, the angle of your hips should be roughly 90 degrees. Picture how difficult it would be to twist Dr. Rubik’s contraption if its sides were unaligned.

Conversely, a common mistake on the way down is to place the supporting hand (rather than the knee) out of alignment. It’s important to keep your grounded hand extended just beyond the knee. A visible, vertical line should begin from the grounded hand, up through both shoulders, and overhead, ending in the kettlebell held firmly at the top.

Problem knee position—The knee is not drawn underneath far enough creating a less than 90 degree angle at the hip.

Problem hand position—The hand is placed out of alignment from the knee.

Proper hand, knee, shoulder alignment—Hips are at 90 degrees and a vertical line is created from grounded hand to KB.

These are time-tested tips to help improve your get-up. You’d be surprised how often revisiting these basics can help improve overall performance. Do not lose sight of the fact that your training is constantly evolving and never be afraid to revisit your foundation.

“Mind the edges of the cube or else Hell will literally break loose”

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Annie Vo, Senior RKC, PCC Team Leader is a personal trainer, fitness writer and presenter in New York City. Contact her through her website annievo.com.

How to Effectively “Cue” a Client

March 7, 2018 By Angelo Gala Leave a Comment

Angelo Gala coaching

We all know that communication skills can make or break any relationship. As a coach, you may possess all the knowledge in the world about progressions, regressions, proper loading parameters and rest intervals. But, if the delivery of the material is not understood, your good intentions may fall short. You may even lose an excellent client to a less experienced but more articulate coach. As a coach, learning how to effectively communicate your skillset with your clientele during a training session is paramount.

It’s very easy to get lost in the journey of finding THE magic word that connects with everyone for a particular movement. Let’s first acknowledge that we will never find the perfect way to communicate proper movement mechanics because everyone absorbs new material and ideas differently. A good cue is like a good pass in football. You can throw a “perfect” ball to someone only to watch it bounce right off their finger tips—and you can throw out a prayer that is ripped from the air and ran in for six points. At the end of the day, a good pass is a caught pass. The following are some guidelines that will keep you in the ball park and drive up your success rate.

3 Steps and 3 Articulations of a GREAT Movement “CUE”

If you are teaching a new movement to a single client or to a group (large or small), follow this sequence:

Demonstrate => Teach => Demonstrate

Demonstrate

Your first step is to name the movement or exercise, then immediately demonstrate the proper execution of the movement. Without doing this, you are assuming your clientele already speaks your language.

Teach – It’s as easy as 1,2,3….

Assume nothing, teach everything.

Avoid having your client(s) jump right into the full expression of the movement regardless of their experience levels. Break down the movement into smaller steps (progressions) that will later add up to the movement’s full expression. In the RKC School of Strength, we teach many progressions and regressions for the standard six movements of the Level 1 RKC curriculum.

As a gross generalization, women do a great job communicating what they are FEELING. But, men on the other hand tend to have a more difficulties. Because of this, I always teach coaches to EMBRACE their feminine energy (yes men, we have plenty of it) and to use their words. The more colorfully—but concisely—you can communicate what the client should be FEELING in a given position, the greater chance they have to follow your directions correctly. Imagine you are telling a fitness story. Give them all the gossip and get them excited about what’s about to happen.

Here is how to successfully deliver your material

Tell them and show them where they are going.
Give them clear and concise directions on how to get there.
Let them know how THEY can tell that they have arrived.

Angelo Gala Coaching Cues

My approach to cueing is to deliver the material so the client(s) see it, touch it and feel it. This covers the spectrum of how different people learn. First they visually SEE where I want them to go by demonstrating the skill. We may use tools like PVC pipes, bands or even my hands to TOUCH them, engaging their bodies to find the proper position. Then I ask them to connect to the position by observing or FEELING the internal signs and landmarks of proper alignment.

Demonstrate

Finally, you can pull I all together by demonstrating the proper execution of the movement again. A successful cueing progression through the 3 steps to teaching will often connect some dots previously missed in their first visual interpretation of the movement.

Next time you have the opportunity to teach a new skill or fine tune old skills, give this teaching progression a whirl and notice how the interpretation, execution, and retention of your clients’ skills sky-rocket!

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Angelo Gala is a Master RKC, PCC Team Leader and Co-Owner of EDX CrossFit in Lafayette, CO. He has been a fitness professional for over 15 years working day to day with a wide range of clientele. He helps the average “Joe” get fit and out of pain and prepares athletes to qualify and compete at the CrossFit Games. His specialties include improving restricted movement, getting strong(er) and energy system development. Angelo is available for remote coaching and on-site workshops. For scheduling he can be reached at angelo@edxcrossfit.com

Breathing, Backswings and Ballistics

December 13, 2017 By Ryan Jankowitz 3 Comments

I really love teaching others how to train with kettlebells; it’s what I’ve become most passionate about as a fitness professional. Whether online or in-person, I get a deep sense of satisfaction when a client learns a new movement or refines their technique.

Ryan Jankowitz 1-Arm Swing While it can be exhilarating to learn new kettlebell drills or refine your technique, retaining so much new information—and then applying it to your training can be daunting!

My goal with this post is to create a simple connection between all of the RKC ballistic exercises (swings, cleans, snatches) so that you can easily apply the same knowledge and techniques to all of the movements.

First, let’s start with the timing of the breath. Breathing is one of the most important functions of training and life. At the top of the swing, when the glutes and quads contract, a sharp exhalation is performed. This sharp exhalation helps to compress the midsection and direct more power into the kettlebell. Again, it is coordinated with the glutes and quads forcefully contracting.

The timing of the exhalation remains the same when performing a clean and a snatch. Although the kettlebell will still be traveling after the exhalation has occurred in both the clean and snatch, it still happens when the glutes and quads contract. The exhale acts almost like a rocket booster, propelling the kettlebell into the rack or overhead position with relative ease. If your exhalation occurs when the clean or snatch is in the finished position, then you’ve lost the benefit of the “rocket booster”.

The backswing is another important part of all ballistic movements—and it should be exactly the same from technique to technique. You should be able to smoothly transition from one movement to another without changing your backswing.

Ryan Jankowitz Kettlebell Backswing

Focus on these backswing concepts/tips for one-arm swings, cleans and snatches:

The handle of the kettlebell passes above your knees
Your forearm connects high up on your inner thigh
Your upper arm connects to your ribcage
Your hips flex to a greater degree than your knees
There is a slight internal rotation of the thumb
This is where you inhale
Spine is neutral

Ryan Jankowitz kettlebell clean

I hope these tips have given you some good “food for thought” for your training. If you experience an “aha” moment or were able to improve a technique, then drop me a line and let me know what you experienced.

Stay Strong,
Ryan Jankowitz, RKC-II

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Ryan Jankowitz, RKC-II Instructor, CK-FMS, is a life-long athlete who can’t imagine sitting behind a desk. He enjoys sharing his passion for fitness and spreading the RKC knowledge. Ryan provides online personal training for busy people who want to improve their health and kettlebell training for fitness professionals who want to refine their technique and/or train for a certification. He is available for private kettlebell workshops as well. You can reach him at ryan@rjkettlebell.com or through his website rjkettlebell.com. He also works with clients and teaches kettlebell classes at Fitness on the Run in Alexandria, Virginia. If you’re in the area, visit fitnessontherun.net and come swing some bells with Ryan.

How to Replace Expensive Equipment With Kettlebells Part 2

August 16, 2017 By Laurel Blackburn 1 Comment

In How to Replace Expensive Equipment With Kettlebells Part 1, I showed you how to make your own sleds with just a tow strap, belt and kettlebells. I also included a bunch of different exercises and workouts you can do on your own or with your clients.

I am always looking to add new tools to my boot camp and kettlebell classes, without spending a fortune.

I love coming up with creative ways to make my own equipment. If you want to add some new tools to your workouts or your gym but are on a budget, then this blog is for you.

Last year I purchased an Earthquake bar for my other gym, The Tallahassee Strength Club. It was expensive but I knew my members would love it. I spent well over $200. Online you will find prices from $269 up to over $300.

On one of my visits with my physical therapist, he showed me how he uses the bar to rehab his client’s shoulder injuries. The instability of the bar (while doing simple bench presses and shoulder presses) works and strengthens all of the stabilizer muscles in the shoulder. I couldn’t believe how challenging this was–and I was using very light weights.

After I balked at the price, he showed me a rod he got at Lowes. I can’t remember exactly what it was but either a steel fence post or a strong metal closet rod. I did the same exercises with the rod and didn’t notice much of a difference between it and the expensive Earthquake bar. He gave me the fence post to use at my gym.

My trainers and I played around with the bar using kettlebells attached to the ends with small jump stretch bands

We started with simple overhead holds. It was unbelievably challenging. Every muscle in my body had to work to keep the bar stable. We got a little more daring, which is common when we get together. We did overhead squats, deadlifts, single leg deadlifts, overhead walking, bench press and of course, I had to try a get-up.

You can modify the exercises with the placement of the kettlebells and the length of the band. The closer the weight is to the center of the bar, the more stable it will be. The band length can be shortened to make it easier or long, to make it much more challenging.

It’s an amazing, challenging tool and super simple to set up. You’ll need a fence post top. For a more challenging workout, get a pvc pipe.

You can get a fence post top at Lowes for less than $12
A piece of PVC pipe is even cheaper for around $10.00
Jump Stretch mini bands on Amazon start at $7.95

You can also use rope or chain to hook your kettlebells to the bar. Go way lighter than you think you would because these are no joke.

Give these a try and let me know what you think in the comments below.

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Senior RKC, Laurel Blackburn owns Boot Camp Fitness and Training and Tallahassee Kettlebells. Look for Laurel at www.bootcampstogo.com or www.tallahasseekettlebells.com.

In her early fifties, Laurel is out to prove that age is just a number. Her goal is to motivate and inspire people everywhere, both young and old that strength, flexibility and mobility can get better with age. Follow her adventures on her blog: www.SuperStrongNana.com.

How To Avoid Back Pain From Kettlebell Swings

July 26, 2017 By Wayne Pallas 3 Comments

Wayne Pallas HKC, Swinging A Kettlebell

I earned my HKC in April of 2016, and began working with clients shortly afterward. The most common complaint I have heard has been lower back pain after swinging. Since I have always been careful to teach proper technique (e.g. packed shoulder blades, loading the glutes, keeping the head up, etc.), I was puzzled and decided to figure out what was causing this problem.

One possible cause is over-lordosis, arching the back at the top of the swing. I think the best remedy is to teach and practice a vertical plank. Full body tension, especially in the core, helps keep the back properly aligned.

I also noticed is that swinging with a kettlebell is different than practicing the hip hinge without weight. Weight changes the way the upper body moves during the hip hinge. The heavier the weight, the greater the risk that it will alter a proper hip hinge, putting more stress on the lower back (see photo below), especially if you keep your arms perpendicular to your torso on the way down.

Lower Back Stress From Incorrect Swing — The heavier the weight, the greater the risk that it will alter a proper hip hinge, putting more stress on the lower back, especially if you keep your arms perpendicular to your torso on the way down.

If you think of the upper body as a lever, with the navel area as the fulcrum, the weight of a kettlebell during a swing or snatch will tend to pull the shoulders down and in turn, move the hips up, which engages the lower back (see photo below). The solution I came up with is to “sit” into the hinge more, which feels like you are moving closer to a squat than a hinge, but relieves lower back stress.

You can experiment with adjusting your hip hinge while moving or you can adjust your technique statically. Hold a fairly heavy kettlebell as you would for a squat and assume a hip hinge stance. Bend forward slightly visualizing your immobile upper body moving around a fulcrum (the red dot in the photos above). You should be able to feel your lower back reacting to the weight. From there, rotate your shoulders up (and hips down) until the back stress disappears (see example below). This approximates the proper stance while swinging with weight.

Lower Back Swing Experiment — Rotate your shoulders up (and hips down) until the back stress disappears.

After adjusting the hip hinge using weight, my clients and I have become more aware of our posture, and have been able to adjust it even while swinging, avoiding back pain.

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Wayne Pallas, HKC is a retired Colorado teacher (40 years, math/music), avid runner, personal trainer, and former martial artist. Over the past five years, he has sent out a monthly general fitness newsletter, Wayne’s Fitness Tips & Tricks, to several hundred readers. He is currently training for the Denver RKC in September.

How to Replace Expensive Equipment with Kettlebells

June 21, 2017 By Laurel Blackburn 4 Comments

Laurel Blackburn and Adrienne Harvey Diy Fitness

I started my boot camp business in 2005 on a little patch of grass in front of a gymnastics gym. I didn’t have much money and spent what little I had on a few bands. Our workouts were mostly bodyweight with a few exercises done on the picnic table in front of the gym.

I had to be creative and think outside of the box. Before the TRX came out, I was already doing many of the exercises with beach towels wrapped around trees. I also bought PVC pipes and filled them with sand to use for presses, squats and deadlifts.

As my business grew, I spent almost all of my money on purchasing more equipment. I bought some kettlebells, I picked up logs on the street, and used whatever else I could find as exercise equipment.

Slowly as I earned more money, I bought more equipment. Once we moved from the patch of grass into an 800sqft space, I bought a few more kettlebells, some medicine balls, and I had a friend build a pull up bar.

After a year, we outgrew that space and I moved to a 2,100sqft building—then we moved up to my current 5,000sqft location. Now, I was able to buy a lot of equipment and I spent a fortune on stocking my gym. Every cent I made went back into the gym as I bought more equipment.

As a fitness professional and gym owner, I constantly receive tons of catalogs in the mail full of equipment to buy. I started looking at how I could use what I had to replicate new exercises but at a fraction of the cost. Soon, I became a regular at Home Depot and Lowes!

I found that I could replace everything from sleds to the popular earthquake bars dirt cheap.

A couple of months ago, I went to Orlando and met up with Adrienne Harvey. I packed my car with name brand portable sleds, my earthquake bar, kettlebells and my homemade equipment.

Adrienne and I filmed exercises using my expensive equipment and then filmed the same exercises with better options using my homemade equipment and kettlebells.

I wanted to show gym owners and exercise enthusiasts how they can get creative on the cheap by using kettlebells and a few items from a hardware store.

Here is what I used to make the equipment I used for part 1 of this series.

For sleds:

Lowes SmartStraps 2-in x 20-ft Tie Down ($19.98)

Watch the video, go to the hardware store, grab some kettlebells and get creative.

I’d love to hear how you’ve improvised, created new exercises and workouts with your kettlebells.

Stay tuned for part 2. I will show you how to make your own earthquake bars at 1/8^th of the cost.

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Senior RKC, Laurel Blackburn owns Boot Camp Fitness and Training and Tallahassee Kettlebells. Look for Laurel at www.bootcampstogo.com or www.tallahasseekettlebells.com.

11 Specialized Variety Methods For Blasting Through Overhead Pressing Plateaus

May 31, 2017 By Matt Beecroft 3 Comments

Matt Beecroft BU Press

A heavy kettlebell press—or any overhead press for that matter—will always be a super impressive feat of whole-body strength. For some, getting heavy things overhead is the meaning of life, and I can understand why! There are few better feelings than locking out a heavy overhead grind.

You have probably heard the phrase, “To press well, you have to press a lot.” Technically, this statement is true. But, when you regularly work heavy grinds like the press, or any high tension, high threshold lift for high reps like ladders, it can be pretty unforgiving on the body—especially the shoulders. Like many in our RKC community, I am a big fan of push-presses and jerks, especially since they seem to be a little more forgiving on the shoulders.

Enter one of the programming principles taught in the RKC: specialized variety. This important concept allows us to avoid plateaus, improve a skill (like pressing), and can also help us avoid injury.

The biological law of accommodation holds that the more you repeat a given movement, the less effective it will be for achieving your goals. A biological object’s response to a given constant stimulus decreases over time. Accommodation is your body’s decreasing response to a constantly continued stimulus—so, we will need to vary our training a little.

Another training principle—which seems to be the opposite—is the SAID principle. The specific adaptations to imposed demands (SAID) principle states that the more something specific is practiced, the more that specific skill will improve. In other words perfect practice makes perfect when it comes to developing skills.

With specialized variety, we want to choose exercises that are very similar, but are slight variations so we can keep training a movement without reaching a plateau.

Principle One: Change Your Foundation

Changing your lower body position is a simple way to add specialized variety to your pressing. With the regular press we usually stand in a bilateral stance with our feet square and roughly shoulder width apart. But, when we change position?

In real life and especially in sports, we’re very rarely in a perfect bilateral stance. More often, we’re in lunge like or single leg stances. Some of these variations can also have crossover for better sports performance.

Feet Together

By narrowing your base, your body really has to zip everything up. Pressing with your feet together ensures that you think about drawing everything into your center, while stopping any tension “leaks” of throughout the body.

Inline Lunge

Similar to pressing with the feet together, but place one leg behind the other (kettlebell on same side as the rear leg). This stance introduces a lateral balance demand and forces the body to zip everything up. You can self-limit the balance demand of this technique—make it harder or easier—by changing the distance or width between the two feet.

Contralateral and Ipsilateral Stances

Even though these stances are very rarely seen or used, I love using them to strengthen the body contra-laterally (think of an X across the body from shoulder to hip) or ipsilaterally (shoulder to hip on the same side). If you are interested in fascia and slings (see Thomas Myers) then this will be right up your alley. These press variations are done on one leg and can be really challenging. For the contralateral version, the kettlebell in the opposite hand of the foot you are standing on, and for the ipsilateral version, press and stand on the same side.

Tall Kneeling and Half Kneeling

Without going down the rabbit hole of corrective exercise, both the tall and half kneeling positions give us great pressing options. By taking the knees and ankles out of the movement, we can focus on letting the hips and the core do their work. The goal of the tall and half kneeling positions is to help us create more stability and control while pressing. They can prompt us to tie the upper and lower body together as in the two previous options. The half kneeling option is also self-limiting. Narrowing your base of support (as in the inline lunge press) in the kneeling lunge position creates more instability—and an environment where you will need to stabilize more to keep your balance—just like the standing inline lunge. If you decide to work from a half or tall kneeling position, you really need to make sure your set up in these positions is spot on—a poor setup will not allow you to gain the benefits of these movements.

V-Seated Press

One of my all time favorite all pressing positions is sitting down in semi side split/pancake position with my legs in a V. This is an amazing variation that really helps to tie in the core with the shoulders, lats, and triceps. Watch your lumbo-pelvic positioning in the V-seated position, so your back and lower back stay in a neutral position.

Matt Beecroft V-Seated Press

The Sots Press

The Sots press is a tough variation for those with great squatting technique and good overhead shoulder mechanics. The press is performed by cleaning the kettlebell, pulling yourself down into a squat, bracing, and then pressing from the deep squat position.

Side Press

Often overlooked as an option to improve the basic press, the side press is an awesome variation that again can really challenge the core. It also requires crazy lat firing, or creating a “shelf” with your lat behind your elbow. This tough variation starts with the feet in a windmill position. The press begins at the bottom position—or after coming down to the bottom position—of the windmill, pressing to lockout and then standing up with the bell just like in the windmill. The windmill is taught at the RKC-II with the kettlebell in the top hand already in lockout and then descending up and down—there’s also a version with kettlebells in both hands. If you are not proficient with the windmill yet, I would suggest waiting to try this press variation until you have trained with an RKC-II instructor.

The setup for this lift is the same as the windmill style setup for the bent press (as opposed to the squat variation of the bent press) taught at the RKC Level-II. Unlike the bent press, where you press your body away from the kettlebell, when performing the side press, you are actually pressing the kettlebell away from you.

The Get-Up Press

Want to strengthen each position of your get-up while training for a stronger press? Try pressing at each stage of the get-up for a real challenge. Even in the half kneeling/windmill position, you can bring your elbow behind your body to the lat, as a progression to help your bent press and kettlebell windmill. The get-up press will really highlight any weakness in your get-up, it will really force you to be more stable in each position.

Principle Two: Change Your Grip

The Bottoms-Up Press

If you’ve seen Master RKC Max Shank perform a bottoms-up press, it’s easy to see that it’s a great pressing variation. While the kettlebell’s groove and body positioning are slightly different, the benefits of this pressing variation are huge. Not only does this variation improve your grip strength, core activation, and reflexive stability, it can also be the safest way for those with troublesome shoulders to press a kettlebell without discomfort or pain. Set up for this lift by placing the webbing of the thumb and first finger in the middle of the kettlebell handle so you can balance it on the heel of your palm. Even though the groove of this press is different, it will encourage you to keep your forearm vertical, which can be helpful for improving your regular press. Since you can’t press very heavy kettlebells with the bottoms-up press, it is a great variation to use when you don’t have a heavy kettlebell to press.

The Stacked Press

The stacked press variation really changes the center of gravity—the position—of the weight/load. To perform this lift, stack a lighter kettlebell on top of a heavier one by carefully cleaning both together and around the wrist. The grip requirement for this variation is huge. You have to crush both handles to complete the press. This is also an awesome option when you only have access to smaller kettlebells or if you only have a few big kettlebell sizes, and want to work on something in between. Because the center of gravity of the load and grip are different than a regular press, you probably won’t be able to press as much with this lift.

Matt Beecroft Stacked Kettlebell Press

Side note: there is a bottom’s up stacked press where you can do a bottoms up press with another kettlebell sitting on top. While I like variety, this is probably taking it a bit too far, and is usually only manageable with very light weight. Even then, it’s a very risky lift, and you probably don’t want to be remembered as an epic “gym fail” on YouTube after a kettlebell falls on your head.

The Waiter’s or Palm Press

When performing a waiter’s press (palm press), you hold the body of the kettlebell, not the handle in the palm of your hand. Your palm is facing up, just like a waiter’s when carrying a tray on the palm of the hand. This variation feels really weird, but encourages surprisingly strong shoulder “packing” and lat activation during the press.

Matt Beecroft Waiters Press

Lastly, it can be really cool to pick an option from principle one and combine it with an option from principle two. For example, you could try a bottoms up press from tall or half kneeling, or a stacked press from the V-seated position. The options are endless and they all lead to a better press.

Don’t forget to base your rep ranges on your goals:

For strength aim for total 6-20 reps and 1-5 reps per set: 3 x 3, 3 x 5, 2 x 5, 5 x 3, 10x 1 etc.

For strength and muscle mass aim for 20-40 total reps and 3-8 reps per set: 7 x 3, 8 x 4, 4 x 8, 5 x 5 (my favorite), 6 x 4, 10 x 4, 6 x 6 etc.

When it comes to pressing, apart from the regular single, double or alternating and see-saw pressing with the feet square and roughly shoulder width apart, these two principles will really help you burst through your current plateau without hours and hours of pressing ladders. Especially when there are no heavy bells to press, we can make the press more challenging and get gains in strength by using complexity instead of load and volume.

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Matthew Beecroft is a Master RKC, PCC Instructor, and CK-FMS certified instructor. He is also a GFM and Animal Flow instructor and Expert Level 2 instructor with Krav Maga Global and a Muay Thai coach who has trained amateur and professional Muay Thai champions. He can be contacted through his website www.realitysdc.com.au or Facebook page: facebook.com/MeetLifeHeadOn/