Tutorial

Rubik’s Get-Up

May 2, 2018 By Annie Vo Leave a Comment

Annie Vo Get-Up Rubiks Cube
When I first learned to perform a get-up, I was unsure of its purpose. It seemed almost like a series of random movements, ultimately resulting in getting off the floor. Of course, being able to get off the floor safely has its advantages, but even when progressing with resistance, it was still somewhat of a mystery to me.

Sometimes in order to understand new information, it is helpful to liken it to something old. The use of analogies in teaching has been shown to have a positive impact on the way we process new data. Analogies foster learning by highlighting the similarities between what we already know and that which we seek. The mind is complex.

Over the years I have come to think of the get-up like a Rubik’s Cube.

The Rubik’s Cube is a 3-D combination puzzle invented in 1974 by Hungarian sculptor and professor of architecture Erno Rubik. Originally called the Magic Cube, the goal is to align all of the color-coded squares on each side through a series of pivots. The shifts of the cube are smooth, tracking on an internal core track until the final destination is reached. The cube is considered incomplete if the sides are not aligned appropriately.

Although it is widely misreported that Dr. Rubik created “the cube” to be a teaching tool to help his students understand 3-D objects, his actual purpose was to solve the structural problems of moving parts independently—without the entire mechanism falling apart! In many ways, the get-up has the same goal.

Each movement in the get-up is a pivot from the body’s core joints—the hips and shoulders. The pivoting should be smooth. Once the position is established, all “sides” of the get-up cube should also be aligned. The spine must be straight throughout the get-up. The body’s center of gravity must be balanced between the limbs. The angles of the hips and shoulders positioned to provide maximum support and stability. Each limb, joint and muscle must be arranged and coiled underneath the weight overhead to create a solid foundation.

As you develop your technique, you are likely to discover information about how you move, including strengths and weakness, balances and imbalances, and which areas should be developed. Your get-up is your sculpture. It is constantly evolving. The way you perform each pivot, swivel and shift can reveal or obscure what is truly beneath the surface. If you rush it, then you’ll miss the point.

As a Senior RKC Instructor, I’ve had the privilege of teaching the get-up to hundreds of coaches and kettlebell enthusiasts, spanning a multitude of backgrounds. Throughout my tenure, I’ve noticed that there are three common places in the get-up where symmetry and alignment tend to get neglected, even among experienced get-uppers. Here they are:

Initial Shift to the Elbow

The get-up begins in a lying position and is initiated by rolling up to your (unloaded) side. It is to be performed without any jerking or momentum. Imagine your trunk is one unbending steel rod that must be adjusted by wedging between the hip and shoulder. The result is a straight, stacked vertical line from the ground to overhead—a track as clear as the pathway of a Rubik’s Cube’s axis.

However, often the shoulder of the planted arm is forgotten in the pursuit of this vertical line, and sags forward. This is usually the result of not knowing how to find the alignment, and overcompensating. In short, it may feel like it’s lined up but it isn’t. If this is the case, there is unnecessary pressure on the front of the shoulder. To avoid this, make sure to preserve your vertical line by employing the support of the greatest shoulder stabilizer you have—the lat.

Problem shoulder position—Shoulder is rounded and relaxed.

Proper shoulder position—Shoulder is aligned and lat is packed.

Shift to the “Tall Sit”

When moving from the elbow to the straight arm seated position, the support shoulder has a tendency to rotate forward, therefore “exposing” itself and falling out of alignment. The support arm is arguably the most important part of the “tall sit” portion of the get-up because it determines whether you will be able to support your overhead weight (and bodyweight) while your legs swing under you. The support arm (and opposite leg) are responsible for supporting the body as it is lifted and rotated like a Rubik’s Cube.

To perform this transition with the greatest mechanical advantage, make sure your shoulder is in line with your planted hand and also rotated back and down, to ensure that the lat muscle is engaged.

Problem shoulder position—Shoulder is rounded forward.

Proper shoulder position—Shoulder is rounded back and in line with the hand.

Leg Sweep (both directions)

From the “tall sit” position, rotate your leg under your body, and place your knee on the ground. Sometimes people don’t bring the leg far enough under, on the way up. Remember, the angle of your hips should be roughly 90 degrees. Picture how difficult it would be to twist Dr. Rubik’s contraption if its sides were unaligned.

Conversely, a common mistake on the way down is to place the supporting hand (rather than the knee) out of alignment. It’s important to keep your grounded hand extended just beyond the knee. A visible, vertical line should begin from the grounded hand, up through both shoulders, and overhead, ending in the kettlebell held firmly at the top.

Problem knee position—The knee is not drawn underneath far enough creating a less than 90 degree angle at the hip.

Problem hand position—The hand is placed out of alignment from the knee.

Proper hand, knee, shoulder alignment—Hips are at 90 degrees and a vertical line is created from grounded hand to KB.

These are time-tested tips to help improve your get-up. You’d be surprised how often revisiting these basics can help improve overall performance. Do not lose sight of the fact that your training is constantly evolving and never be afraid to revisit your foundation.

“Mind the edges of the cube or else Hell will literally break loose”

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Annie Vo, Senior RKC, PCC Team Leader is a personal trainer, fitness writer and presenter in New York City. Contact her through her website annievo.com.

How to Effectively “Cue” a Client

March 7, 2018 By Angelo Gala Leave a Comment

Angelo Gala coaching

We all know that communication skills can make or break any relationship. As a coach, you may possess all the knowledge in the world about progressions, regressions, proper loading parameters and rest intervals. But, if the delivery of the material is not understood, your good intentions may fall short. You may even lose an excellent client to a less experienced but more articulate coach. As a coach, learning how to effectively communicate your skillset with your clientele during a training session is paramount.

It’s very easy to get lost in the journey of finding THE magic word that connects with everyone for a particular movement. Let’s first acknowledge that we will never find the perfect way to communicate proper movement mechanics because everyone absorbs new material and ideas differently. A good cue is like a good pass in football. You can throw a “perfect” ball to someone only to watch it bounce right off their finger tips—and you can throw out a prayer that is ripped from the air and ran in for six points. At the end of the day, a good pass is a caught pass. The following are some guidelines that will keep you in the ball park and drive up your success rate.

3 Steps and 3 Articulations of a GREAT Movement “CUE”

If you are teaching a new movement to a single client or to a group (large or small), follow this sequence:

Demonstrate => Teach => Demonstrate

Demonstrate

Your first step is to name the movement or exercise, then immediately demonstrate the proper execution of the movement. Without doing this, you are assuming your clientele already speaks your language.

Teach – It’s as easy as 1,2,3….

Assume nothing, teach everything.

Avoid having your client(s) jump right into the full expression of the movement regardless of their experience levels. Break down the movement into smaller steps (progressions) that will later add up to the movement’s full expression. In the RKC School of Strength, we teach many progressions and regressions for the standard six movements of the Level 1 RKC curriculum.

As a gross generalization, women do a great job communicating what they are FEELING. But, men on the other hand tend to have a more difficulties. Because of this, I always teach coaches to EMBRACE their feminine energy (yes men, we have plenty of it) and to use their words. The more colorfully—but concisely—you can communicate what the client should be FEELING in a given position, the greater chance they have to follow your directions correctly. Imagine you are telling a fitness story. Give them all the gossip and get them excited about what’s about to happen.

Here is how to successfully deliver your material

Tell them and show them where they are going.
Give them clear and concise directions on how to get there.
Let them know how THEY can tell that they have arrived.

Angelo Gala Coaching Cues

My approach to cueing is to deliver the material so the client(s) see it, touch it and feel it. This covers the spectrum of how different people learn. First they visually SEE where I want them to go by demonstrating the skill. We may use tools like PVC pipes, bands or even my hands to TOUCH them, engaging their bodies to find the proper position. Then I ask them to connect to the position by observing or FEELING the internal signs and landmarks of proper alignment.

Demonstrate

Finally, you can pull I all together by demonstrating the proper execution of the movement again. A successful cueing progression through the 3 steps to teaching will often connect some dots previously missed in their first visual interpretation of the movement.

Next time you have the opportunity to teach a new skill or fine tune old skills, give this teaching progression a whirl and notice how the interpretation, execution, and retention of your clients’ skills sky-rocket!

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Angelo Gala is a Master RKC, PCC Team Leader and Co-Owner of EDX CrossFit in Lafayette, CO. He has been a fitness professional for over 15 years working day to day with a wide range of clientele. He helps the average “Joe” get fit and out of pain and prepares athletes to qualify and compete at the CrossFit Games. His specialties include improving restricted movement, getting strong(er) and energy system development. Angelo is available for remote coaching and on-site workshops. For scheduling he can be reached at angelo@edxcrossfit.com

Breathing, Backswings and Ballistics

December 13, 2017 By Ryan Jankowitz 4 Comments

I really love teaching others how to train with kettlebells; it’s what I’ve become most passionate about as a fitness professional. Whether online or in-person, I get a deep sense of satisfaction when a client learns a new movement or refines their technique.

Ryan Jankowitz 1-Arm Swing While it can be exhilarating to learn new kettlebell drills or refine your technique, retaining so much new information—and then applying it to your training can be daunting!

My goal with this post is to create a simple connection between all of the RKC ballistic exercises (swings, cleans, snatches) so that you can easily apply the same knowledge and techniques to all of the movements.

First, let’s start with the timing of the breath. Breathing is one of the most important functions of training and life. At the top of the swing, when the glutes and quads contract, a sharp exhalation is performed. This sharp exhalation helps to compress the midsection and direct more power into the kettlebell. Again, it is coordinated with the glutes and quads forcefully contracting.

The timing of the exhalation remains the same when performing a clean and a snatch. Although the kettlebell will still be traveling after the exhalation has occurred in both the clean and snatch, it still happens when the glutes and quads contract. The exhale acts almost like a rocket booster, propelling the kettlebell into the rack or overhead position with relative ease. If your exhalation occurs when the clean or snatch is in the finished position, then you’ve lost the benefit of the “rocket booster”.

The backswing is another important part of all ballistic movements—and it should be exactly the same from technique to technique. You should be able to smoothly transition from one movement to another without changing your backswing.

Ryan Jankowitz Kettlebell Backswing

Focus on these backswing concepts/tips for one-arm swings, cleans and snatches:

The handle of the kettlebell passes above your knees
Your forearm connects high up on your inner thigh
Your upper arm connects to your ribcage
Your hips flex to a greater degree than your knees
There is a slight internal rotation of the thumb
This is where you inhale
Spine is neutral

Ryan Jankowitz kettlebell clean

I hope these tips have given you some good “food for thought” for your training. If you experience an “aha” moment or were able to improve a technique, then drop me a line and let me know what you experienced.

Stay Strong,
Ryan Jankowitz, RKC-II

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Ryan Jankowitz, RKC-II Instructor, CK-FMS, is a life-long athlete who can’t imagine sitting behind a desk. He enjoys sharing his passion for fitness and spreading the RKC knowledge. Ryan provides online personal training for busy people who want to improve their health and kettlebell training for fitness professionals who want to refine their technique and/or train for a certification. He is available for private kettlebell workshops as well. You can reach him at ryan@rjkettlebell.com or through his website rjkettlebell.com. He also works with clients and teaches kettlebell classes at Fitness on the Run in Alexandria, Virginia. If you’re in the area, visit fitnessontherun.net and come swing some bells with Ryan.

How to Replace Expensive Equipment With Kettlebells Part 2

August 16, 2017 By Laurel Blackburn 1 Comment

In How to Replace Expensive Equipment With Kettlebells Part 1, I showed you how to make your own sleds with just a tow strap, belt and kettlebells. I also included a bunch of different exercises and workouts you can do on your own or with your clients.

I am always looking to add new tools to my boot camp and kettlebell classes, without spending a fortune.

I love coming up with creative ways to make my own equipment. If you want to add some new tools to your workouts or your gym but are on a budget, then this blog is for you.

Last year I purchased an Earthquake bar for my other gym, The Tallahassee Strength Club. It was expensive but I knew my members would love it. I spent well over $200. Online you will find prices from $269 up to over $300.

On one of my visits with my physical therapist, he showed me how he uses the bar to rehab his client’s shoulder injuries. The instability of the bar (while doing simple bench presses and shoulder presses) works and strengthens all of the stabilizer muscles in the shoulder. I couldn’t believe how challenging this was–and I was using very light weights.

After I balked at the price, he showed me a rod he got at Lowes. I can’t remember exactly what it was but either a steel fence post or a strong metal closet rod. I did the same exercises with the rod and didn’t notice much of a difference between it and the expensive Earthquake bar. He gave me the fence post to use at my gym.

My trainers and I played around with the bar using kettlebells attached to the ends with small jump stretch bands

We started with simple overhead holds. It was unbelievably challenging. Every muscle in my body had to work to keep the bar stable. We got a little more daring, which is common when we get together. We did overhead squats, deadlifts, single leg deadlifts, overhead walking, bench press and of course, I had to try a get-up.

You can modify the exercises with the placement of the kettlebells and the length of the band. The closer the weight is to the center of the bar, the more stable it will be. The band length can be shortened to make it easier or long, to make it much more challenging.

It’s an amazing, challenging tool and super simple to set up. You’ll need a fence post top. For a more challenging workout, get a pvc pipe.

You can get a fence post top at Lowes for less than $12
A piece of PVC pipe is even cheaper for around $10.00
Jump Stretch mini bands on Amazon start at $7.95

You can also use rope or chain to hook your kettlebells to the bar. Go way lighter than you think you would because these are no joke.

Give these a try and let me know what you think in the comments below.

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Senior RKC, Laurel Blackburn owns Boot Camp Fitness and Training and Tallahassee Kettlebells. Look for Laurel at www.bootcampstogo.com or www.tallahasseekettlebells.com.

In her early fifties, Laurel is out to prove that age is just a number. Her goal is to motivate and inspire people everywhere, both young and old that strength, flexibility and mobility can get better with age. Follow her adventures on her blog: www.SuperStrongNana.com.

How To Avoid Back Pain From Kettlebell Swings

July 26, 2017 By Wayne Pallas 4 Comments

Wayne Pallas HKC, Swinging A Kettlebell

I earned my HKC in April of 2016, and began working with clients shortly afterward. The most common complaint I have heard has been lower back pain after swinging. Since I have always been careful to teach proper technique (e.g. packed shoulder blades, loading the glutes, keeping the head up, etc.), I was puzzled and decided to figure out what was causing this problem.

One possible cause is over-lordosis, arching the back at the top of the swing. I think the best remedy is to teach and practice a vertical plank. Full body tension, especially in the core, helps keep the back properly aligned.

I also noticed is that swinging with a kettlebell is different than practicing the hip hinge without weight. Weight changes the way the upper body moves during the hip hinge. The heavier the weight, the greater the risk that it will alter a proper hip hinge, putting more stress on the lower back (see photo below), especially if you keep your arms perpendicular to your torso on the way down.

Lower Back Stress From Incorrect Swing — The heavier the weight, the greater the risk that it will alter a proper hip hinge, putting more stress on the lower back, especially if you keep your arms perpendicular to your torso on the way down.

If you think of the upper body as a lever, with the navel area as the fulcrum, the weight of a kettlebell during a swing or snatch will tend to pull the shoulders down and in turn, move the hips up, which engages the lower back (see photo below). The solution I came up with is to “sit” into the hinge more, which feels like you are moving closer to a squat than a hinge, but relieves lower back stress.

You can experiment with adjusting your hip hinge while moving or you can adjust your technique statically. Hold a fairly heavy kettlebell as you would for a squat and assume a hip hinge stance. Bend forward slightly visualizing your immobile upper body moving around a fulcrum (the red dot in the photos above). You should be able to feel your lower back reacting to the weight. From there, rotate your shoulders up (and hips down) until the back stress disappears (see example below). This approximates the proper stance while swinging with weight.

Lower Back Swing Experiment — Rotate your shoulders up (and hips down) until the back stress disappears.

After adjusting the hip hinge using weight, my clients and I have become more aware of our posture, and have been able to adjust it even while swinging, avoiding back pain.

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Wayne Pallas, HKC is a retired Colorado teacher (40 years, math/music), avid runner, personal trainer, and former martial artist. Over the past five years, he has sent out a monthly general fitness newsletter, Wayne’s Fitness Tips & Tricks, to several hundred readers. He is currently training for the Denver RKC in September.

How to Replace Expensive Equipment with Kettlebells

June 21, 2017 By Laurel Blackburn 4 Comments

Laurel Blackburn and Adrienne Harvey Diy Fitness

I started my boot camp business in 2005 on a little patch of grass in front of a gymnastics gym. I didn’t have much money and spent what little I had on a few bands. Our workouts were mostly bodyweight with a few exercises done on the picnic table in front of the gym.

I had to be creative and think outside of the box. Before the TRX came out, I was already doing many of the exercises with beach towels wrapped around trees. I also bought PVC pipes and filled them with sand to use for presses, squats and deadlifts.

As my business grew, I spent almost all of my money on purchasing more equipment. I bought some kettlebells, I picked up logs on the street, and used whatever else I could find as exercise equipment.

Slowly as I earned more money, I bought more equipment. Once we moved from the patch of grass into an 800sqft space, I bought a few more kettlebells, some medicine balls, and I had a friend build a pull up bar.

After a year, we outgrew that space and I moved to a 2,100sqft building—then we moved up to my current 5,000sqft location. Now, I was able to buy a lot of equipment and I spent a fortune on stocking my gym. Every cent I made went back into the gym as I bought more equipment.

As a fitness professional and gym owner, I constantly receive tons of catalogs in the mail full of equipment to buy. I started looking at how I could use what I had to replicate new exercises but at a fraction of the cost. Soon, I became a regular at Home Depot and Lowes!

I found that I could replace everything from sleds to the popular earthquake bars dirt cheap.

A couple of months ago, I went to Orlando and met up with Adrienne Harvey. I packed my car with name brand portable sleds, my earthquake bar, kettlebells and my homemade equipment.

Adrienne and I filmed exercises using my expensive equipment and then filmed the same exercises with better options using my homemade equipment and kettlebells.

I wanted to show gym owners and exercise enthusiasts how they can get creative on the cheap by using kettlebells and a few items from a hardware store.

Here is what I used to make the equipment I used for part 1 of this series.

For sleds:

Lowes SmartStraps 2-in x 20-ft Tie Down ($19.98)

Watch the video, go to the hardware store, grab some kettlebells and get creative.

I’d love to hear how you’ve improvised, created new exercises and workouts with your kettlebells.

Stay tuned for part 2. I will show you how to make your own earthquake bars at 1/8^th of the cost.

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Senior RKC, Laurel Blackburn owns Boot Camp Fitness and Training and Tallahassee Kettlebells. Look for Laurel at www.bootcampstogo.com or www.tallahasseekettlebells.com.

11 Specialized Variety Methods For Blasting Through Overhead Pressing Plateaus

May 31, 2017 By Matt Beecroft 3 Comments

Matt Beecroft BU Press

A heavy kettlebell press—or any overhead press for that matter—will always be a super impressive feat of whole-body strength. For some, getting heavy things overhead is the meaning of life, and I can understand why! There are few better feelings than locking out a heavy overhead grind.

You have probably heard the phrase, “To press well, you have to press a lot.” Technically, this statement is true. But, when you regularly work heavy grinds like the press, or any high tension, high threshold lift for high reps like ladders, it can be pretty unforgiving on the body—especially the shoulders. Like many in our RKC community, I am a big fan of push-presses and jerks, especially since they seem to be a little more forgiving on the shoulders.

Enter one of the programming principles taught in the RKC: specialized variety. This important concept allows us to avoid plateaus, improve a skill (like pressing), and can also help us avoid injury.

The biological law of accommodation holds that the more you repeat a given movement, the less effective it will be for achieving your goals. A biological object’s response to a given constant stimulus decreases over time. Accommodation is your body’s decreasing response to a constantly continued stimulus—so, we will need to vary our training a little.

Another training principle—which seems to be the opposite—is the SAID principle. The specific adaptations to imposed demands (SAID) principle states that the more something specific is practiced, the more that specific skill will improve. In other words perfect practice makes perfect when it comes to developing skills.

With specialized variety, we want to choose exercises that are very similar, but are slight variations so we can keep training a movement without reaching a plateau.

Principle One: Change Your Foundation

Changing your lower body position is a simple way to add specialized variety to your pressing. With the regular press we usually stand in a bilateral stance with our feet square and roughly shoulder width apart. But, when we change position?

In real life and especially in sports, we’re very rarely in a perfect bilateral stance. More often, we’re in lunge like or single leg stances. Some of these variations can also have crossover for better sports performance.

Feet Together

By narrowing your base, your body really has to zip everything up. Pressing with your feet together ensures that you think about drawing everything into your center, while stopping any tension “leaks” of throughout the body.

Inline Lunge

Similar to pressing with the feet together, but place one leg behind the other (kettlebell on same side as the rear leg). This stance introduces a lateral balance demand and forces the body to zip everything up. You can self-limit the balance demand of this technique—make it harder or easier—by changing the distance or width between the two feet.

Contralateral and Ipsilateral Stances

Even though these stances are very rarely seen or used, I love using them to strengthen the body contra-laterally (think of an X across the body from shoulder to hip) or ipsilaterally (shoulder to hip on the same side). If you are interested in fascia and slings (see Thomas Myers) then this will be right up your alley. These press variations are done on one leg and can be really challenging. For the contralateral version, the kettlebell in the opposite hand of the foot you are standing on, and for the ipsilateral version, press and stand on the same side.

Tall Kneeling and Half Kneeling

Without going down the rabbit hole of corrective exercise, both the tall and half kneeling positions give us great pressing options. By taking the knees and ankles out of the movement, we can focus on letting the hips and the core do their work. The goal of the tall and half kneeling positions is to help us create more stability and control while pressing. They can prompt us to tie the upper and lower body together as in the two previous options. The half kneeling option is also self-limiting. Narrowing your base of support (as in the inline lunge press) in the kneeling lunge position creates more instability—and an environment where you will need to stabilize more to keep your balance—just like the standing inline lunge. If you decide to work from a half or tall kneeling position, you really need to make sure your set up in these positions is spot on—a poor setup will not allow you to gain the benefits of these movements.

V-Seated Press

One of my all time favorite all pressing positions is sitting down in semi side split/pancake position with my legs in a V. This is an amazing variation that really helps to tie in the core with the shoulders, lats, and triceps. Watch your lumbo-pelvic positioning in the V-seated position, so your back and lower back stay in a neutral position.

Matt Beecroft V-Seated Press

The Sots Press

The Sots press is a tough variation for those with great squatting technique and good overhead shoulder mechanics. The press is performed by cleaning the kettlebell, pulling yourself down into a squat, bracing, and then pressing from the deep squat position.

Side Press

Often overlooked as an option to improve the basic press, the side press is an awesome variation that again can really challenge the core. It also requires crazy lat firing, or creating a “shelf” with your lat behind your elbow. This tough variation starts with the feet in a windmill position. The press begins at the bottom position—or after coming down to the bottom position—of the windmill, pressing to lockout and then standing up with the bell just like in the windmill. The windmill is taught at the RKC-II with the kettlebell in the top hand already in lockout and then descending up and down—there’s also a version with kettlebells in both hands. If you are not proficient with the windmill yet, I would suggest waiting to try this press variation until you have trained with an RKC-II instructor.

The setup for this lift is the same as the windmill style setup for the bent press (as opposed to the squat variation of the bent press) taught at the RKC Level-II. Unlike the bent press, where you press your body away from the kettlebell, when performing the side press, you are actually pressing the kettlebell away from you.

The Get-Up Press

Want to strengthen each position of your get-up while training for a stronger press? Try pressing at each stage of the get-up for a real challenge. Even in the half kneeling/windmill position, you can bring your elbow behind your body to the lat, as a progression to help your bent press and kettlebell windmill. The get-up press will really highlight any weakness in your get-up, it will really force you to be more stable in each position.

Principle Two: Change Your Grip

The Bottoms-Up Press

If you’ve seen Master RKC Max Shank perform a bottoms-up press, it’s easy to see that it’s a great pressing variation. While the kettlebell’s groove and body positioning are slightly different, the benefits of this pressing variation are huge. Not only does this variation improve your grip strength, core activation, and reflexive stability, it can also be the safest way for those with troublesome shoulders to press a kettlebell without discomfort or pain. Set up for this lift by placing the webbing of the thumb and first finger in the middle of the kettlebell handle so you can balance it on the heel of your palm. Even though the groove of this press is different, it will encourage you to keep your forearm vertical, which can be helpful for improving your regular press. Since you can’t press very heavy kettlebells with the bottoms-up press, it is a great variation to use when you don’t have a heavy kettlebell to press.

The Stacked Press

The stacked press variation really changes the center of gravity—the position—of the weight/load. To perform this lift, stack a lighter kettlebell on top of a heavier one by carefully cleaning both together and around the wrist. The grip requirement for this variation is huge. You have to crush both handles to complete the press. This is also an awesome option when you only have access to smaller kettlebells or if you only have a few big kettlebell sizes, and want to work on something in between. Because the center of gravity of the load and grip are different than a regular press, you probably won’t be able to press as much with this lift.

Matt Beecroft Stacked Kettlebell Press

Side note: there is a bottom’s up stacked press where you can do a bottoms up press with another kettlebell sitting on top. While I like variety, this is probably taking it a bit too far, and is usually only manageable with very light weight. Even then, it’s a very risky lift, and you probably don’t want to be remembered as an epic “gym fail” on YouTube after a kettlebell falls on your head.

The Waiter’s or Palm Press

When performing a waiter’s press (palm press), you hold the body of the kettlebell, not the handle in the palm of your hand. Your palm is facing up, just like a waiter’s when carrying a tray on the palm of the hand. This variation feels really weird, but encourages surprisingly strong shoulder “packing” and lat activation during the press.

Matt Beecroft Waiters Press

Lastly, it can be really cool to pick an option from principle one and combine it with an option from principle two. For example, you could try a bottoms up press from tall or half kneeling, or a stacked press from the V-seated position. The options are endless and they all lead to a better press.

Don’t forget to base your rep ranges on your goals:

For strength aim for total 6-20 reps and 1-5 reps per set: 3 x 3, 3 x 5, 2 x 5, 5 x 3, 10x 1 etc.

For strength and muscle mass aim for 20-40 total reps and 3-8 reps per set: 7 x 3, 8 x 4, 4 x 8, 5 x 5 (my favorite), 6 x 4, 10 x 4, 6 x 6 etc.

When it comes to pressing, apart from the regular single, double or alternating and see-saw pressing with the feet square and roughly shoulder width apart, these two principles will really help you burst through your current plateau without hours and hours of pressing ladders. Especially when there are no heavy bells to press, we can make the press more challenging and get gains in strength by using complexity instead of load and volume.

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Matthew Beecroft is a Master RKC, PCC Instructor, and CK-FMS certified instructor. He is also a GFM and Animal Flow instructor and Expert Level 2 instructor with Krav Maga Global and a Muay Thai coach who has trained amateur and professional Muay Thai champions. He can be contacted through his website www.realitysdc.com.au or Facebook page: facebook.com/MeetLifeHeadOn/

Getting Strong Fast: Four Effective Overhead Kettlebell Exercises

March 15, 2017 By Sebastian Müller 12 Comments

Sebastian Muller Overhead 40kg kettlebell press

Kettlebell exercises are much more common in fitness these days because of the RKC, CrossFit, strongman and functional training. But, only truly strong athletes will be able to lift heavy kettlebells overhead without risking injury.

When I began my training a few years ago, I hated it. No matter where I looked, everybody was stronger than me—at least that’s what I thought when I saw what others were lifting. But, the further I went down the path of strength training, I discovered a real secret. I learned why—after months of training—I still lifted lighter weights than the other guys (and girls).

The difference was that I pressed the weights with very strict form. I would clean a kettlebell and then press it until my arm was straight overhead. While this is an extremely effective way to train your body, it is not really useful for lifting very heavy weights.

If you want to move big kettlebells, you have to be creative. You’ll need to look for effective exercises and movements that allow you to use more of your muscles. This post will outline the four best exercises I’ve found for this purpose.

1. The Get-Up

Turkish wrestlers and aspiring athletes who trained with them used this exercise to prepare for the hard and demanding sport-specific wrestling training. If an athlete couldn’t “get up” with at least half of his body weight, he wasn’t allowed to participate in wrestling training. Being able to lift a lot of weight is just one advantage of the get-up. Your body will learn to work as a unit, and every muscle is involved with this movement. When I first did the get-up with a kettlebell, I chose the same weight I was using for strict presses. After a few weeks, I increased that weight by 100%.

Since one arm is holding the weight straight overhead during the entire get-up exercise, it strengthens and stabilizes your shoulder muscles. When you’re able to do the movement correctly and smoothly, then the goal of using half your body weight is absolutely realistic.

Sebastian Muller 40kg Get-Up

Performing the Get-Up

Start on your back, lying on the ground.
Safely pick up the weight, and extend your arm to press the weight overhead.
Push with your supporting leg to the side and roll up on your elbow.
Sit up straight.
Bring the knee of the extended leg under your hip.
Be sure your upper body is upright, and rotate it straight forward.
Stand up into a shoulder-width stance.

2. Bent Press (Advanced)

Old time strongmen and athletes of the 19^th century did tremendous feats of strength with this exercise. You don’t see it very much these days, despite its many advantages. (The bent press is a very advanced exercise and should only be attempted when the kettlebell lifter is ready. Find an RKC-II instructor near you for help and coaching with this movement.)

But, if it is safe and appropriate for the trainee, the carryover from the bent press to other movements is gigantic. It also enormously improves hip and thoracic spine mobility. Another special thing about the bent press is that it has no “perfect form”. Everyone does it a bit differently. Although the process is always the same, there are three options: hip dominant (similar to the windmill), thigh dominant (closer to a squatting pattern), or a version that incorporates both movement patterns.

Sebastian Muller Bent Press 40kg

Performing the Bent Press:

Bring the weight up to the chest safely (the “rack position”).
Position your arm onto your big back muscles and let it remain there.
“Sit” under the weight by opening or hinging the hip and rotating the upper body until the arm holding the kettlebell is completely straight.
Straighten the hip and legs to return to the standing position.

3. Push Press

The push press bears the most resemblance to the strict press. But with the push-press, the upper body muscles only start to work when the kettlebell is already on its way up. The force of the push press comes from the legs and the hips. A small knee dip followed by an explosive hip extension transfers the force to propel the kettlebell overhead.

Sebastian Muller Push Press Bump with 40kg kettlebell

Performing the Push Press:

Bring the weight up to the chest safely (the “rack position”).
Hinge the hips and bend your knees slightly (about one quarter of a squat).
Explosively extend legs and hips (“bump” see the photo above).
Straighten the arm. After the bump, the handle of the kettlebell should be at about the height of your forehead, before you straighten the arm.

4. Jerk

The jerk is an exercise to bring up the most weight overhead with two kettlebells. It takes the upper body muscles responsible for the press almost completely out of the game. Everything in the jerk is similar to the push press up until the bump. When the kettlebells are forehead height, you have to do another dip with the knees and hips—and simultaneously extend both arms.

This exercise is super complex, but also allows you to use a lot of weight.

Performing the Jerk

Safely clean the kettlebells up to the chest (the “rack position”).
Hinge the hips and slightly bend your knees (about one quarter of a squat).
Explosively extend your legs and hips (“bump”).
Bend your knees and hinge your hips again when the kettlebell reaches your forehead. Simultaneously extend your arm.
Extend your legs and hips to stand up straight with the weight overhead.

Prerequisite Requirements for Safely Lifting Heavy Kettlebells Overhead:

Before you try these exercises, there are prerequisite requirements for lifting heavy kettlebells overhead—which include a certain level of mobility and stability to prevent overtraining or injury.

Sebastian Muller Overhead Reach Test

Test your overhead lockout position:

Stand with your back facing a wall with your heels about 5cm (about 2 inches) from the wall.
Your buttocks, upper back, shoulders and back of your head are touching the wall.
Hinge the hip so that you ‘’pinch’’ your hand to the wall. The pressure on the hand should be there during the entire exercise.
Put your other hand straight up overhead.

When the wrist of your fully extended arm touches the wall while your back remains stable, you will have fulfilled the mobility requirements. If you’ve run into trouble here, first work on your thoracic spine mobility and shoulder joints. To safely lift heavy kettlebells overhead, you will also need stable shoulder joints and a strong core musculature. You should have also mastered the basic kettlebell movements: swing, get-up, clean, press, squat, snatch.

The get-up is the best exercise to prepare your shoulders for heavy weights. When you master the get up, you will build a strong foundation for lifting heavy kettlebells. You can even increase the effectiveness of the exercise by adding overhead walks to your get-up sessions. For example, walk with the kettlebell overhead every time you are in the standing position of the get-up.

When a get-up with half your bodyweight is no problem for you anymore, and you are safe in the kettlebell basics, you are ready for the bent press, push press and jerk.

When Training with Heavy Kettlebells, Movement Quality is Essential

The movement patterns of the get-up, bent press, push press and jerk are complex. Many joints and big muscle groups have to work together perfectly. Before you can load these movement patterns with heavy kettlebells, you should master the movements. You simply can’t afford to stop and think about what you have to do next while you are holding a heavy kettlebell. The best way to avoid mistakes is to do everything correctly from the start. Be a professional and learn the exercises from a qualified coach.

Sebastian Muller Rack Position 40kg

How to Use These Exercises:

The movements we’ve discussed in this blog post can be divided into two categories: skill and power. Skill and power exercises belong at the beginning of your training routine. They require high focus, and we want to lift heavy kettlebells with these exercises. It’s a bad idea to tackle this combination while fatigued.

The get-up and bent press are in the skill category. They are complex movements that involve many muscle groups and joints. They are also performed slowly and under high tension. After warming up, do perfect repetitions in turns, always starting with your less strong side. One to a maximum of five sets will do a fine job. After ten total repetitions (five for each side), move on to other exercises.

The push press and jerk are power exercises. While these movement patterns are less complex, you need a lot of explosiveness and power. After warming up, do perfect repetitions in turns, always starting with your less strong side. One to a maximum of five sets will do a fine job. After ten total repetitions (five for each side), move on to other exercises.

Important Rules:

Be sure to fulfill the stability and mobility requirements for the overhead movements before attempting them—especially with heavy kettlebells.
Master the basics!
Learn all of the described movements from a qualified coach.
Always practice while fresh, with high focus. Aim to improve a little at every training session.

If you follow these rules, you will surely draw the admiration of others and have the best workouts of your life. Now that you know four exercises for lifting heavy kettlebells, go and lift your training skills to the next level.

***

Sebastian Müller, RKC Team Leader, and PCC Instructor is a personal trainer in Erfurt (Germany) and teaches seminars all over Germany. After 16 years of training he founded the first kettlebell studio in his federal state. He is the head coach of KRABA Erfurt (“Strength and Movement Academy”) and a passionate blogger. His focus lies on what he enjoys the most: to inspire people for simple training and making it an important part of their lives! Translation by Martin Breternitz HKC, KRABA Erfurt

The Road to the Iron Maiden Challenge

January 18, 2017 By Katie Petersen 5 Comments

Katie Petersen Iron Maiden Challenge Kettlebell Press

I did it! I finally did it! This was all I could think for at least a month after completing the Iron Maiden Challenge. For anyone unfamiliar with this challenge, an Iron Maiden must complete a pistol, pull up, and strict press with the 24kg kettlebell (Beast Tamer: 48kg). I struggled with each of the lifts in different ways over the years; but did not understand my greatest obstacle until the day of reckoning, when I missed my first pull up. When all the training was done, I had one more beast to defeat and it was not in the shape of a kettlebell. It was the voice inside my head…the mean one…the one that self-sabotages, doubts, and makes me feel small. As defeat loomed, I had to find a way to cross over the dark swamp of uncertainty holding me back from everything I had worked toward. I had to rewrite my belief system; to accept my own moment of greatness; to open my heart to myself and let it shine brightly in the world. Here is my story.

In April 2013, I was doing a kettlebell workout with Rob Miller in a Chicago park. I performed a 24kg get-up for the second time ever, precariously balanced on uneven terrain as the sun’s blinding rays sealed my eyes shut. Ecstatic, I expected to revel in my unprecedented success and call it a day. Instead, Rob says “nice” and “you will have to do the Iron Maiden in October.” Excuse me? A pull up, one-arm press and pistol with a 24kg? I barely got a get-up with the 24kg, which took every ounce of effort I could muster. Was he serious? My final figure competition season had just closed and left me extremely depleted. I was not at all confident that I would regain the strength I’d lost, let alone surpass it. To give you an idea of where I started, I had just worked back up to 5 bodyweight pull ups; was very new to the pistol; had I not pressed anything heavier than the 16kg kettlebell.

My Iron Maiden trajectory began on a slippery slope of disbelief, intrigue, and dare I say, annoyance. Yep, annoyance was probably the biggest driver: annoyance that Rob thought it could be so easy for me; annoyance that there were 4 or 5 women out there who had done it and here I was doubting myself; annoyance at how incredibly far-off this goal felt. And Rob just decided I would do it at an RKC Workshop in the next 6 months. Most of all though, I felt annoyance at my annoyance…who was I if I wasn’t willing to become greater than this moment? Those questions spun me down a path I did not expect. And so the journey began.

October 2013 simply was not a realistic goal date. But I did step forward with a new sense of discipline. That Summer/Fall I followed a Triphasic program focused around barbell squats and deadlifts to rebuild my strength base. About 4x/week, I worked on my kettlebell technique to prepare for the RKC.

By October, 2013 I attained the following:

Pull up: 12kg (26lb)
1RM Pistol: 18kg (40lb)
1RM Press: 18kg (40lb)

Although my baseline was a far cry from a 24kg, it was progress. It didn’t matter how long it would take. After five years of grueling off-season training, an unapologetic in-season diet, endless travel to national stages only to come within two places of professional IFBB status, I desperately needed a goal to fill! I had just gone fifteen months without entering so much as a 5k and had all of this pent up competitive-energy stirring. I was not going to quit until it was done.

I began learning from every blog post I could find about achieving the Iron Maiden or Beast Tamer and/or improving 1RM’s in these movements. Unsure of my next steps, I read Andrew Read’s Beast Tamer, which offered an excellent jumping off point with tips and routines. I discovered much of the material in the book roots from the RKC Level II curriculum. As intelligent and well-written as the book is, mastery of these movements meant experiencing the education for myself. My next move was crystal clear. I signed up for the RKC II in April 2014. After going through the certification, my body awareness and neuromuscular connection around the pistol, press, and strict pull up grew exponentially. If you have any desire to be stronger these movements (especially if you want to be an Iron Maiden/Beast Tamer), learn from the countless months I spun my wheels with far less progress than I was capable of achieving.

From the beginning, the pull up was my toughest lift. Every week was jam-packed with heavy lifting and a consistent yoga practice—yet, I still managed to avoid my weakest link and didn’t even know it. Sounds naïve, I know, but I was doing them every week with negligible progress. As I look back, though, I can see how they were grossly deprioritized.

I overvalued how much deadlifts and ancillary back exercises would contribute to my pull up game. They inarguably help with strength; but the truth about getting better at pull ups is that you have to do more pull ups. After 8 months, doing low volume/heavy weight (2x/week) increased my 1RM to a 16kg; but I hadn’t added a single measly rep to my bodyweight max. My nervous system was missing literally hundreds of reps needed to genuinely fortify enough pull up strength for a 24kg.

I dug through the Dragon Door forum and found a plan that looked incredibly smart. I later found out, this program is actually in the RKC II manual! It was time to ramp up the volume and get my baseline strength in order. This plan promised to bring a 5RM (bodyweight) to a 10RM in 1 month…sold! As you can see in the Pull-up Program below, you are supposed to attain a new max rep set every 6 days. It seems like such a tall order that I was shocked and impressed by how well the plan worked. About half-way through, a wrist injury sent me on a 2 week hiatus and I feared major regression. Not a single rep was lost. I saw clear evidence on how much better a 10-15 min daily practice could preserve my strength than hitting it once or twice a week.

5 RM Pull-Up Program Chart — If needed, add 1 rest day/week. It will take 5 weeks to complete. For results, prioritize the pull up program. If you are not recovering well enough, scale back other training before increasing rest days. (Note: if you have a 9RM, begin there, i.e. Day 1: 9,10,11,12,13 and adjust accordingly).

Over a 6 week period, I glided from a 6RM to an 11RM. After a small recovery period, I attempted my first weighted pull up in 2 months. The 16kg max moved up to an easy 3 reps, as well as earning a new 1RM with the 20kg. Huge progress! I began reintroducing weighted pull-ups in a variety of routines; but gravitated most toward a 5-3-1 model. After years of dreading the pull up, I flipped the script on my “weakest lift” and it has remained one of my most proficient movements.

Katie Petersen Iron Maiden Pull Up

One of the greatest lessons I learned was to not get bullied by my own limiting beliefs. I didn’t feel strong doing the pull up so I unconsciously avoided them. I had become fixated on feeling strong in every workout. That sticking point with my ego had me devoting more time, attention, and planning toward the movements eliciting more progress. Physical weakness is just like any shadow inside–we might ignore it, justify it, or worse yet, accept it–but it will relentlessly beg for awareness in one way or another. Those weaknesses are here to teach us something, not to break us down. Ignoring the hard stuff just equates to a more strenuous lesson down the road, in far more areas than just training. Some of my best advice roots from this realization.

As it applies to training, if you are preparing for the Iron Maiden or any goal, pick your worst/least favorite movement and begin there. Do it every day. Nurture the movement. I no longer viewed the pull-up as part of my workout, the meat of my workout, or as a workout at all. For a measured amount of time, they became a daily practice that needed to feel as routine in my awareness as brushing my teeth. My body began to feel “off”, like I was missing something, on the days I rested. This created a higher degree of “habit” that was needed to groove the movement pattern deeply into the brain synapses, let alone muscle fibers.

Practicing everyday does not mean over-training, however; it also does not need to be a progressive-overload like this pull-up program. It does mean organizing and prioritizing around the goal. For example, if I was struggling with the pistol, I might follow something like this:

Training chart for pistols

In order to follow the pull up program, I had to face down another ego-check. I was accustomed to using weight in every pull-up session and didn’t want to be seen doing only bodyweight reps. That little brush of arrogance zapped pretty quickly as the daily work began. I couldn’t have managed weighted reps with the volume each week required. The beauty of de-loading is an allowance to drastically intensify volume and frequency without getting injured. Every rep is done to perfection or not counted. I can’t emphasize enough how beneficial it was to revisit the proverbial baseline, a.k.a. bodyweight reps vs. weighted reps. If you are stuck on a 1RM, re-programming in a similar system may just blow you away. Take yourself back to the oh-so-humbling 60% max and practice with it. Train with it regularly throughout the week rather than max out every set or every workout. Do something to improve the movement daily, including mobility drills and rest.

I practiced mobility not only on “off” days but also between every pull-up set (scapular pulls, wheel pose, foam rolling, crow pose, wall glides, pec stretches, etc.). In this way, everything I did spoke to my goal. Boldly set your intention: write it down, live it, know the outcome is already happening, and don’t let anything get in its way.

Now let’s talk about the other two lifts. Presses probably got the most attention in my Iron Maiden training. The press wasn’t as defeating as the pull up but it was a greater challenge than the pistol; so it made for the most fun in “seeing progress”.

I approached the press with a three part awareness of the movement:

The body has to sense the pattern of movement with total automation
The body has to sense the intensity of the goal load to lockout overhead (2^nd half of press)
The body has to sense the intensity of the goal load to initiate out of rack (1^st half of press)

Here’s how these three parts translated unto my training:

A. Patterning/Volume for Automation

Similar to my advice with the pull up, automation requires the pattern of movement to be a deeply rooted habit. With a max rep, not a nanosecond can be wasted for the body to “think” about what’s next. It just fires. Ladders are a perfect way to pick up volume in a short period of time and jump start strength gains. Below is an example ladder. I followed something similar to this pressing routine 1x/week up until about 6 months out.

B. Desensitizing Goal Load+ at Lockout

Drilling familiarity, stability, and strength with a 24kg+ in the overhead lockout. Below are some ways to make it fun. Adjust the weight according to your current state and goals. As a reference point for the tables listed, goal: 24kg, current max: 20-22kg, snatch test kettlebell: 14kg.

Getting up the Ladder

Each time I did the set of presses, it felt much lighter than expected after holding the heavier load for the duration of a get-up. You can skip rungs on the ladder if you are not making this the core of your workout.

Press Ladder Chart

Each time I did the set of presses, it felt much lighter than expected after holding the heavier load for the duration of a TGU. You can skip rungs on the ladder if you are not making this the core of your workout.

Overhead Walks Chart — Whenever possible, slow the negative/lowering of bell to rack at the finish of the OHW.

Dropset Chart

C1. Desensitizing Goal Load+ into RACK

This speaks to improving the proficiency and load with the clean. The clean bottles all the potential energy necessary to explode into a press. When I am maxing out, there is not a moment’s pause transitioning from clean to press. They blend into one fluid movement. Under this technique, if the clean is sloppy at a max load, the press isn’t going to happen. The practice is to clean heavier than necessary to convince the body of competence at the goal load.

Heavy Cleans Chart

Heavy push presses helps link the transition from rack to press, even with the use of momentum. I would often pair both the heavy cleans and heavy push presses into the same workout.

Push Press Chart

C2. Enhance firing out of RACK

Continuing the current from the clean into a press relies on whole body linkage. Squeeze your quads tighter then tight and push the floor away with your feet immediately upon pressing the bell. Do not let go of the legs. On a 1RM, my quads fatigue, not my shoulder. Below are two ways to practice speed out of the rack position, as well as leg/hip power production:

Hold kettlebell or barbell in the rack for 5 counts, then explosively press, singles @ 80%
Speed presses with 2 count pause in rack AMRAP @ 60%

I find an explosive clean and press technique can leave the bottom range of the press remarkably weak if slowed down. This is not to be overlooked and can be acknowledged by “revisiting baseline” and grabbing those lighter weights. Here are a few creative ways to pick up strength awareness through that first half of the press:

Bottoms up clean and press
1 ½ reps: press halfway up, pause 2 counts, lower to rack; then press all the way up and lower to rack—this is one rep. Move SLOWLY through all portions of the rep.

I incorporate barbell presses to assist with A-C. While it is not an exact match to kettlebell pressing, the pattern is similar. In this way, you can train your body’s leg power, press initiation and lockout under a much heavier load than possible with double bells.

The final piece of the puzzle for both presses and pulls, is to consistently work on shoulder stability and mobility. This includes all the same stretches from the pull up section and adds the following:

Bottoms up cleans, racked carry, overhead walk, press, squat, pistol (single and double kettlebells)
Arm bar
Broken arm bar
Get-ups + shoulder circles
Windmill
Farmer’s walks
Racked carry

Once again, so many of the mobility drills, desensitizing techniques, and understanding of body linkage are attributed to the wisdom shared in an RKC-II Workshop.

The final lift, the pistol, was not as difficult to attain but absolutely needed work. I mostly needed to increase strength in the bottom range, as this is where I teetered most. The Beast Tamer book offered useful guidance in this area, too. A few of my favorite tricks:

Descend into pistol, hold for 10 seconds; replace the other foot to ground and stand from a close stance squat. Advance to stand up from 1 leg after the 10 sec hold.
1 ½ reps: lower to bottom of pistol, rise halfway, lower back down, stand all the way up. This = 1 rep. Alternate sides at first, and work up to 3-5 consecutive reps each leg.
Bottom range reps: lower to bottom of pistol, rise several inches; lower again to repeat for reps.

I had achieved the 24kg pistol but was not rock solid. Back to baseline. Just like pull ups, I set a goal to achieve 10 unbroken bodyweight pistols before returning to weight. I purchased Paul Wade’s Convict Conditioning, which was equally entertaining as it was intelligent. Even though I felt skilled in this movement, I didn’t want to skip any steps only to reveal a weak point under heavier load. The book lays out a tier system of movements that must be completed to advance into the next tier. I followed his pistol progressions from beginning to end and the so-called regression work proved unexpectedly challenging!

Once I added weight back to the pistol, I followed a 5-3-1 or 3-2-1 sequence with at the finish of deadlift days. One other day/week, I continued to do a few high rep sets at bodyweight and the bottom range drills listed above.

For many people the difficulty of the movement begins with the mobility. Luckily, I have had a regular yoga practice for over 15 years and did not need to condition this area. If you cannot easily squat below parallel with your feet touching together, focus on mobilizing. You don’t have to do yoga, but you will need to put calculated effort into improving hip and ankle mobility. It is also important to get comfortable with spinal flexion (practice plough pose + related variations in the side bar). On the other side of that flexion is creating and maintaining a strong, hollow ab position. The RKC II dissects how to conjure maximum cores strength and introduces many unique variations. I strongly recommend attending the Level II; but if you haven’t made it yet, Keira Newton delivers a helpful hollow plank series in this 5-Part Video Blog.

When accomplishing a long sought after goal, in this case about 2 ½ years, I almost forget where I started–the programming, the “un-programming”, the books, advice, practice, injuries, frustration, and oh yeah, life itself getting in the way. My journey was not a straight and narrow path, but I can say one thing for sure; if it was, I would have learned nothing. I ran into many walls and gained insight from each. As lengthy as this article has become, I believe the most valuable part of my achieving the Iron Maiden is the ability to share the inner intricacies of my experience.

So how did my story end? After all of this preparation, I unmistakably veered toward failure and had to conquer one last lesson…

I am staring down defeat, once again. What is it about this moment? It keeps showing up as if I have a choice. There it is…don’t I have a choice? I have just failed my first pull up attempt in the Iron Maiden Challenge and panic is rising in my chest. I gave it EVERYTHING I have and barely got my nose to the bar. I can’t begin to explain how shocked I felt in this moment. I had effectively turned the 24kg pull-up from my most challenging adversary into my most certain lift. The press, on the other hand, had been tormenting me with a come-and-go as it pleases reliability along with a very fresh trap strain. Yet, somehow, I easily speared that kettlebell overhead several minutes earlier. I was literally in a state of confusion. How did I not do that? I hear an echo of John Du Cane’s voice, “You have two more attempts. Take as much time as you need.” Half-dazed, I nod and crouch back to the ground, as if to clean my wounds.

Hovering above that bell, the faces, voices, and objects began to fade from the room. In one mosaic flash, 5 years of national figure competitions flooded my mind…predicted to win by national judges, websites, even myself…and year after year, defeat. I could hear my coach’s pep talk, telling me I gave it everything I could; it just wasn’t “my time”; it wasn’t “my turn to be on top”. Maybe it’s like that today…it’s just not “my time”. It’s OK if I don’t have it today. I can do it at the next RKC… There I was again, feeding it, accepting the failure. Was it really that easy to let it all go? Those once comforting words of the past were now freezing me in time. In all those years of competing, maybe it was me who wasn’t ready to win; maybe it was me who kept myself flying below the radar; and today, maybe it was me who kept my chin below that pull up bar. The moment staring me down wasn’t defeat. It was opportunity. This pull up will decide whether or not I become an Iron Maiden today. You only have one attempt….that’s all you have, that’s all you need. Pull it together NOW…an unwavering confidence rushed over me… It IS my time to shine. And as it turned out, I did have a choice that day.

The whole world is you vs. you. When I look back to where it all began, standing in the park, shaking my head ‘no’ to Rob’s seemingly absurd suggestion, I knew I was losing. That frustration powerfully transmuted into passion and determination. I have much gratitude for Rob stoking this fire and Dragon Door presenting this intensely rewarding challenge. Ultimately, I want to relay that anything is possible. Cliché? Maybe. I’ll say it again. ANYTHING you DESIRE and CHOOSE to stay COMMITTED to achieving, no matter what the obstacle, is possible. The seed was planted when I first heard about the Iron Maiden. Though, it took days to feel, weeks to want, months to believe, and years to harvest. For me, the road to the Iron Maiden is about so much more than building strength or staying devoted to a goal. Whether you are going after a max lift or simply looking for some motivation, remember that you are infinitely more powerful than your strongest moment and called to learn from your weakest. I hope something written here might resonate with you and reflect your own inner strength. Like any worthwhile journey, when you stand up to the struggle, you stand in your truth to embrace everything you can become. And somewhere in this space, you learn that you are becoming everything you always were…a star in your own story. I walked a long road of competitive endeavors in order to finally “see” that greatness is a part of me. It is a part of all of us. Now go out there and shine brightly in the world!

***

Katie Petersen is an RKC Team Leader, PCC Instructor, and also holds nutrition/training certifications with Poliquin, Precision Nutrition, and NASM. She owns Active Evolution, a successful training and nutrition counseling business in Chicago, working with both online and local clients. Katie also has a niche clientele of fitness competitors (bodybuilding, bikini, figure), as she has several years experience as an nationally ranked NPC Figure Athlete. For online or personal training, visit her website, www.activeevolution.net or email Katie directly at petersenkatie1@gmail.com. Subscribe to her YouTube channels, Katie Petersen RKC and We Train Chicago to follow her training videos and tips.

Try This Solo Version of a Classic Kettlebell Corrective Partner Drill

December 28, 2016 By Shari Wagner 5 Comments

Shari Wagner RKC Team Leader Swing Setup

I was working with a personal training client who was having trouble packing his shoulder in the one-arm kettlebell swing, particularly in the hike pass position. He had no problems with this in his two-hand swing, it only happened when he switched to the one-arm swing. So, I used the RKC towel pull drill with him and voila! It taught him the feeling of properly loading in the hike position and it improved his shoulder packing when he went back to swings.

This client trains with me once a week to learn proper kettlebell technique, and the rest of the time he trains on his own at home. How could he duplicate this drill on his own when he didn’t have a training partner or qualified instructor to train with him at home? We needed a solution so that he could practice the drill prior to each set of one-arm swings, at least until he was able to groove the pattern in his swings.

The deadlift drag is a wonderful exercise and I use it quite often. In this drill, you set up as if to swing, but instead, you drag the kettlebell on the floor very slowly, keeping yourself in the hike position and loaded up through the posterior chain the whole time. However, I sometimes find that the deadlift drag doesn’t have the same carry-over into the swing itself. Not every drill will work for every person to correct the pattern they need to correct. In this case I wanted my client to be able to really load up in the same way we do with the towel pull drill since it really worked to help his one-arm swing. I wanted him to have his arm connected to his body as if the kettlebell were behind him like it is in the hike position of the swing.

I came up with a similar drill using a resistance band. I used a band that was about 1/2” wide, that provides about 15-30 lbs of resistance. Keep in mind that you’re using a double thickness of the band when you set it up as I have in the video below. The loading in this drill happens from the front as you are pulling the band behind you, rather than loading from the back in the towel pull drill. But, the drill still worked really well for my client. He got his shoulder packed in the hike position and felt the loading and support that comes from the shoulder position in the in the swing.

We did one set like you’ll see in the video below and it had the same positive effect on his one-arm swing technique as when we did the towel pull drill together at the gym. The best part is that he can now do the resistance band drill when he trains by himself at home. I prescribed for him to do about five pulls of the band, followed by one 10-second static hold before every set of one-arm swings.

https://youtu.be/9Ac8T1bpdpo

I did experiment with this same idea, and we turned around to try and load up from the back, in order to really try and emulate the towel pull. I personally didn’t like this as much as pulling from the front, because I felt like the resistance of the band wanted to pull me backwards and without a partner to brace against in the pull, I didn’t feel like I was in control of the movement as much. I also didn’t feel like I could engage the lats and the hips in the same way or to the same extent.

I invite you to try this drill both ways and let me know what you think in the comments section below!

Here’s a quick workout you can do using this resistance band drill, the deadlift drag, and the all-important single rep swing. Hopefully the combination will really help your one-arm swings.

5 1-arm deadlift drags, left side
5 single rep swings, left side
5 band pulls, left side with :10 hold on last rep
10 1-arm swings, left side
Repeat on the right

Repeat for 5-10 sets, resting as needed between sets

****

RKC Team Leader Shari Wagner, RKC-II, PCC, CK-FMS owns Iron Clad Fitness in Denver, Colorado. She can be contacted through her website at IronCladFit.com, email: info@ironcladfit.com or by phone 720-900-4766. Follow her on Facebook: facebook.com/IronCladFitness and Twitter: twitter.com/IronCladFitness.