Dan John

The Turkish Get Down Press and the Road to Windmills and Bent Presses

November 12, 2021 By Dan John 2 Comments

Let me cut straight to the point, something I rarely do: the Turkish Get Down Press (TGDP) has allowed me to speed up the teaching process of three of the most difficult kettlebell exercises to teach and master:

The Turkish Get Up
The Windmill “Family”
The Bent Press

Actually, the TGDP has helped me speed up the teaching of the entire pressing family, too, but I like my world to fit neatly in threes. Certainly, you may know the exercise, but like The Rock’s world in Jungle Cruise, there seems a whole lot more to discover

I liked the movie. Just saying.

Committing to a few rounds of this lift might save you a lot of time and energy later trying to explain the hows and whys of doing the movement.

If you know how my brain works, you also know that this “all starts with a story.” We, my morning training corps (my Intentional Community), were having a typical gym discussion about what to do next in the workout. For the record, not EVERY thing we do in training is computer generated perfection.

Actually, the BEST things we do are usually cobbled together. Not every group can handle a Jazz Improv training program but it seems to work with us as we are a mix of ages, occupations and experience.

I had just returned from a workshop. At said workshop, someone asked about having a workout with just a single kettlebell and a basic knowledge of Tim Anderson’s Original Strength. (I include an example at the end) and we talked about how much I love, love I tell you, doing the Half-Kneeling Press for home trainees. Including me.

Done correctly, with the 90-degree angles at the knees and a tall position of the body, the Half-Kneeling Press stretches, mobilizes, and strengthens a host of bodyparts and “just feels good.”

And, of course, the question came up.

“Which hand with which knee?”

You see, with this press varietal, you have some options. You can press with one arm…or two. You can have your left knee down or your right knee. As you know, in lifting there are three knees:

The Left Knee
The Right Knee
The Hiney

I crack myself up. By the way, spellcheck does NOT like my spelling of “hiney.” For your illumination, I give you the dictionary explanation of my awful joke:

The first records of hiney come from the first half of the 1900s. It is derived from words based on the root word hind, meaning “the back,” as in behind (another euphemism for the buttocks) and hindquarters. The suffix -y or -ie is used to add an endearing or euphemistic quality to words—to make them cuter or more familiar, as in granny and doggie.

We came to a decision as a group that the left knee should be down if pressing with the right hand and the right knee should be down if pressing with the left hand.

Why?

The Turkish Get Up!!!

Actually, one would learn this doing a correct Turkish Get Down. And, for total candor, it is the Turkish Get Down Press that got us thinking of this reason.

You don’t know the Turkish Get Down Press? Let me say this: for speeding up the teaching of the TGU, I have yet to find anything better than the TGD Press. It’s very simple:

At each step of the TG Down, add a press. I am telling you this now also: go lighter than you think.

Simply, here you go:

I suggest snatching the bell up to the top. You can certainly clean and press but that adds an additional press to a lot of presses.
Standing tall, press the bell.
Step back with the foot opposite the bell into what I call the Cross Country Ski Position. For the record, the “key” to the TGD is a longish step back as it gives you space to move later. The knee will get close to touching the ground, but don’t let it touch. Press the kettlebell.
Bring the knee down to the Half-Kneeling position. Press the bell.
Windshield Wiper the front foot. I recommend pressing the bell here, too.
Hinge back and bring the free hand to the floor. The hand, knee and foot should all be in a line. The knee should bisect that line. Press the bell.

(It should feel like a warmup for the Bent Press because it is a warmup for the Bent Press) Look, an asterisk: * (See Below)

Sweep the butt through to the Tall Sit Position. Press the bell.
Roll to the elbow. Press the bell.
Roll to the floor. Press the bell.
With BOTH hands, bring the bell down, cuddle it, roll to the side and release the bell safely to the floor.

*Position Six is called the Kneeling Windmill and will be the focus of the next article in this series.

Let’s watch someone demonstrate it. The model seems to know what to do.

That’s eight presses. That’s a lot of presses. Moreover, as you will discover, the press grooves were different almost every press. I find that my shoulders feel better after this exercise. This movement can be done for mobility work and this is what I use the move for in my own training.

The TGDP can also be done for hypertrophy. If you did three rounds of both sides for eight total reps per round (24 total presses per hand), I’m just guessing something good would happen. Perhaps you would get those “shoulders that are the envy of your friends” that I used to read about in the muscle magazines. My friends envy my naturally curly hair (with a nod to Peanuts).

So, yes, this exercise is a great exercise. For my work with kettlebells, there are other values to this movement.

First, I’m not sure there is a better way to teach the Turkish Get UP. The Turkish Get DOWN with presses stops the participant at several key points and holds these positions in place. If you can’t get the press groove, there is a good chance the bell is in the wrong place. Most of the little troubling positions and points of the TGU are cleaned up with this simple drill.

Second, and it was only at the most recent RKC II that I realized this as clearly as I do now, this drill is gateway to the Windmill and Bent Press family.

Next time, we will dissect the Kneeling Windmill and show you how this single position can teach so much, so fast to so many.

The simple program I promised you.

One KB only mixed with Original Strength.

A1. Left Hand Press (Stand or Half-Kneeling)
A2. Prone Neck Nod

B1. Right Hand Press (Stand or Half-Kneeling)
B2. Prone Find Your Shoes

C1. Goblet Squat
C2. Six Point Rock

D1. March in Place with Load in Left Hand (Suitcase Carry)
D2. Six Point Rock with Left Leg in wide position (Kickstand)

E1. March in Place with Load in Right Hand (Suitcase Carry)
E2. Six Point Rock with Right Leg in wide position (Kickstand)

F1. Swings
F2. Egg Rolls

“Maybe” Day One:

Super set with Sets of Eight (Three Rounds)
A1. Left Hand Press (Stand or Half-Kneeling)
A2. Prone Neck Nod

B1. Right Hand Press (Stand or Half-Kneeling)
B2. Prone Find Your Shoes

Superset with Sets of Eight (Three Rounds)
C1. Goblet Squat
C2. Six Point Rock

Superset for maybe Thirty Seconds each
D1. March in Place with Load in Left Hand (Suitcase Carry)
D2. Six Point Rock with Left Leg in wide position (Kickstand)
E1. March in Place with Load in Right Hand (Suitcase Carry)
E2. Six Point Rock with Right Leg in wide position (Kickstand)

Five Rounds of 15 Swings and appropriate Egg Rolls
F1. Swings
F2. Egg Rolls

“Maybe” Day Two

Three Sets of Eight
A1. Left Hand Press (Stand or Half-Kneeling)
A2. Prone Neck Nod

Three Sets of Eight
B1. Right Hand Press (Stand or Half-Kneeling)
B2. Prone Find Your Shoes

Three Sets of Eight
C1. Goblet Squat
C2. Six Point Rock

Three Rounds of Thirty Seconds Each
D1. March in Place with Load in Left Hand (Suitcase Carry)
D2. Six Point Rock with Left Leg in wide position (Kickstand)
E1. March in Place with Load in Right Hand (Suitcase Carry)
E2. Six Point Rock with Right Leg in wide position (Kickstand)

“Up to 100 Swings”
F1. Swings
F2. Egg Rolls

“Maybe” Day Three

The entire circuit for three rounds of eights and thirty seconds as appropriate.

Left Hand Press (Stand or Half-Kneeling)
Prone Neck Nod
Right Hand Press (Stand or Half-Kneeling)
Prone Find Your Shoes
Goblet Squat
Six Point Rock
March in Place with Load in Left Hand (Suitcase Carry)
Six Point Rock with Left Leg in wide position (Kickstand)
March in Place with Load in Right Hand (Suitcase Carry)
Six Point Rock with Right Leg in wide position (Kickstand)
Swings
Egg Rolls

There you go…off the top of the head but pretty good.

***

Master RKC, Dan John is the author of numerous fitness titles including The Hardstyle Kettlebell Challenge: A Fundamental Guide To Training For Strength And Power, the best selling Never Let Go and Easy Strength. Dan has spent his life with one foot in the world of lifting and throwing, and the other foot in academia. An All-American discus thrower, Dan has also competed at the highest levels of Olympic lifting, Highland Games and the Weight Pentathlon, an event in which he holds the American record.

Dan spends his work life blending weekly workshops and lectures with full-time writing, and is also an online religious studies instructor for Columbia College of Missouri. As a Fulbright Scholar, he toured the Middle East exploring the foundations of religious education systems. For more information visit DanJohn.net

Frankly, I never thought the RKC II was worth it.

October 7, 2021 By Dan John Leave a Comment

And…I was wrong.

That’s what happens when one decides too early on what is right and what is wrong concerning “all things fitness.” I tend to do that a lot.

It’s taken me a while to come around to understanding what the RKC II is truly all about…in the big picture.

My biggest issue was simple: Why? Why do it?

I’m the biggest fan of the HKC. We have three things:

Swing
Goblet Squat
Get Up

Honestly, those are the million-dollar movements of the kettlebell world and are the basis of all the teaching, learning and ongoing progress. You could look damn good just doing those three and move like a (fill in the animal of the week).

The RKC adds the Clean, the Press and the Snatch and that is more than enough for most people in most situations. Not long ago, I was asked what to do for the “perfect” program for older adults (“Hey, that’s me”)…with a SINGLE kettlebell… and I gave this list:

Half-Kneeling Presses
Hangs from the Pull Up Bar
Swings (as appropriate)
Goblet Squats
Suitcase Carries
Get Ups

Keep the reps reasonable and repeatable and you can enjoy this workout long into your journey on this little blue green orb.

So, why the RKC II? Yeah, I know…who needs it?

Turns out the answer is “Me!!!”

Let’s review, in no actual specific order, the three reasons I think you should consider the RKC II besides a bunch of other good reasons (like having “RKC II” after your name).

The first one didn’t occur to me until my last course in New York City. I began to notice an interesting thing as the candidates interacted with each other. No, it was more than just “where are you from?” and all the simple introductions. They were sharing information. They were giving feedback. It wasn’t just the Dan John show: the students were teaching each other.

The goal of all education models is for the lines to blur between student and teacher. As a paid teacher and coach since 1979, I loathe movies about teachers as they only come in two “sizes:”

The all-knowing “guru” who fights the system, loses, but the students win by the brave example.

Or…

Absolute idiots. Every teacher is either having an affair, lazy, dumb or, well, that’s enough for you to get the idea.

Oddly, Mr. Hand is probably the most “accurate” teaching model I have seen in a movie, Fast Times at Ridgemont High. Feel free to disagree.

I feel empowered when the group begins to interact, instruct, and innovate. Sometimes, a drill gets expanded by a suggestion or hint. “We do this and…” Like in improv, it’s all about the “and.”

Unless you are Michael Scott. If you haven’t seen the American version of The Office that won’t make sense. Oh…if you haven’t seen the American version of The Office, watch the first four seasons. You are welcome. He seems to struggle with the basic idea of improv. And…let’s continue.

Here is something I didn’t realize at first: At the RKC II, I have NEVER EVER had someone whine and bitch about the snatch test. I don’t hear the complaints about how unfair this snatch test is to (again…fill in the blank) and how those of us (fill in the blank) should have an easier test.

Everyone at the RKC II has already bought in. They know that they will be tested on the movements. They know they will have workouts in the middle of sessions and spend a fair amount of time in stressful positions learning stressful positions.

Moreover, in that stressful position, a teammate will come over and assist. The position will improve. Notes will be made. We will all be better.

It’s amazing to watch. It’s worth going to the RKC-II to be part of it.

Second, although we do a lot of work in the Pistol and Pull Up, my favorite part of the weekend is the Windmill and Bent Press. As many know, I don’t really use the Bent Press…ever.

But.

The progression up to the Windmill and Bent Press might be the most important part of the weekend. I have a gentle series of mobility and flexibility movements inspired by many schools of movement (with a grateful nod to Tim Anderson and his Original Strength) that brings us up, nearly joint by joint, to the full Windmill and Bent Press movements. We use the floor, sticks, bells and our own human body load to prepare to do this right.

We spend a lot of time in the Kneeling Windmill position, that moment in the Get Up where the loaded hand is high, the loaded leg is in the windshield wiper position and the supportive hand, knee and foot are in a straight line on the ground, and basically do a lot of drills here.

This position reinforces the Get Up as the KW might be the one of the two most important parts of the whole move, in my opinion. The other is the rolling part at the start. I have often said, and never given credit for my brilliant insight, that if we called this the Roll Up rather than the Get Up most of our problems would vanish in the teaching of this wonderful movement.

The thing I love about the KW is that it is safe. We have four points of support on the ground so we can hinge back, we can press and we can bend to move in this position with a high level of safety.

The progression up to this position gives our candidates time to adjust and wiggle and lubricate enough to be ready to move into our advanced movements. When they go home and teach a roomful of the rest of us, this progression can be used appropriately to get the benefits of the advanced movements without having to worry about some of the problems with using the Windmill and Bent Press.

Frankly, most people’s spines, sides, shoulders, and systems aren’t fired and wired to do these advanced movements on Day One. Or Day One Hundred and One…or…

But they can do the progressions.

Third, we learn the overhead ballistics. As I have noted before, my friend the late great Brian Oldfield used to tell us: “You can’t think through a ballistic movement.”

Maybe YOU can. The best and brightest can NOT.

I teach the candidates to use their ears to listen to the feel moving (and stomping). I have them play around with foot positions to work on an appropriate explosive dip. But then it is time to stop the teaching and start the doing.

I like doing the Double Clean and Double Jerk for a single rep. Every twenty seconds…for twenty minutes. As many know, my favorite assistant coach is Coach Repetition and few people are still asking questions after minute ten. Learning ballistics demands high reps. Learning ballistics demands some time between reps to regather and reload. At the RKC II, I have the time to teach…and we use it.

The ballistic work at the RKC II often gets the candidates reviewing how they teach the basics of the swing, snatch and clean. I know, it’s my fault that the 10,000 KB Swing Challenge became a “thing,” but, you know, at the end…people know how to swing!

You need some reps to learn ballistic work. When I follow up with the RKC II candidates, they often note that we all forget this basic truth about ballistics.

Let me repeat that: you need a lot of reps. Without fear of redundancy: you need a lot of reps. Do I need to repeat that again?

So, there you go: go to the RKC II.

The Get-Up

April 12, 2017 By Dan John 6 Comments

The Get-Up

When in doubt, I pull John Jesse’s classic book, Wrestling Physical Conditioning Encyclopedia (printed in 1974), off my shelf. Jesse collected the history and wisdom of every strength, conditioning and wrestling coach and compiled it into a rare book that covers all the bases of strength training.

The first lesson one learns when reading Jesse is humility. In case you think YOU invented something, flip through the pages to find:

Swings
Sandbags
Circuit training (including mixing bodyweight work with barbells)
Rehab, prehab, tendon and ligament work
And, many, many more ideas involving equipment, movement and training
Oh…and the get-up

On page 154, we meet Otto Arco. He was the model for many of Rodin’s sculptures and we remember him for his skill in one particular exercise:

Arco, at a bodyweight of 138 pounds, could do a one hand get-up with 175 pounds. The get-up was his “secret” to all around body strength, body power and body composition. Arco wrote this in his book, How to Learn Muscle Control:

The main purpose of muscle control is self-mastery. Muscle control involves far more than the mere ability to make the muscles contract. It teaches you to relax, which is sometimes even more important than contraction. It gives you a selective control, and therefore the ability to single out those muscles necessary to the work to be done, and only those muscles; leaving the antagonistic, or non-helpful, muscles relaxed.

Arco, over a century ago, singled out the core and keys to the Hardstyle system: “selective control.” This is the ability to turn to stone when necessary and to relax…when necessary! It is the secret behind Bruce Lee’s one-inch punch and the ability to hit a golf ball far. We find the get-up in Jesse’s chapter 13, “All Around Strength and General Power Exercises,” where we also discover the ballistic exercises like the swing, the jerk and what we would now call “snatches” in the kettlebell world.

Arco maintained a honed physique that he modeled well into his sixties by focusing on an understanding of muscle-control. While the swing and goblet squat will illuminate the role of flicking the switch of hard/tight and fast/loose, the get-up will demand something best summarized by Jesse (155):

The athlete, in projecting his total body strength in competition, must mold the strength of localized areas into a total coordinated body effort.

The get-up, sometimes called the Turkish get-up was named after the great tradition of Turkish wrestlers using this move as an entrance test. It has enjoyed a rebirth in the new millennium due to the efforts of members of the RKC. At its simplest, the get-up is simply getting up off the floor with a load and returning back down. It can be done to exacting measures with fourteen or more separate steps up and fourteen or more back down. Somewhere in the middle is how we will teach the get-up.

Although the true benefits are “a total coordinated body effort”, when you observe the get-up, you find that many isolation movements are present, too:

Basic rolling

Press

Hinge

Lunge

Loaded carry (waiter walk)

We also find the “four knots”. The hips and shoulders must be both tight enough and loose enough to roll, slide and adapt through the positions as we move from the ground to standing. Both shoulders are engaged during the full movement at a variety of angles and loading parameters. One needs to be tight and loose throughout as we flow through the positions.

The get-up teaches the ability to remain stiff and tense through movement. When discussing reps of the get-up, I always err on the side of fewer. There are two reasons:

Safety is part of performance.
Trashing doesn’t help tuning.

The first point is the key to the RKC Code of Conduct. Don’t trip over a kettlebell haphazardly left on the floor. Don’t let go of a swing and hit someone in the face with a kettlebell. Don’t go out of your way to be stupid just to become (in)famous on the internet.

Those are all tenants of the “safety is part of performance” idea. With the get-up, a kettlebell is held directly above your skull. The kettlebell will win in a collision, so don’t drop it on your head.

More to the point, the get-up teaches total body coordination and total body strength. Like the Olympic lifts—the barbell snatch and barbell clean and jerk—it takes a level of focus to perform a get-up correctly. A single heavy get-up reflects the training base of perhaps months or years to get the movement “right.” Like the Olympic lifts, one doesn’t see the months of training and preparation that allow one to perform—and, yes, perform is the right word—a heavy get-up.

I keep the reps low to insure concentration, focus and optimal performance. As an Olympic lifting coach, I rarely get over ten reps in either lift with good lifters. With the get-up, I have found that few people can maintain the high levels of mental and physical coordination beyond about ten reps, too.

Get-up Kneeling Windmill

The second point is hard for many of our hard-charging brothers and sisters to understand: getting trashed is something a college freshman or someone who really doesn’t understand training does. I wouldn’t be surprised to see someone online doing Tabata get-ups some day (twenty seconds of get-up, ten seconds rest for four minutes) or some kind of “get-ups to failure.”

This kind of nonsense is an issue in the fitness industry. Sadly, it is what most people “hear” when we say the phrase “training session”.

Even though I want to make you move better and move more, most people’s ears tell them that I want you to puke in a bucket and lay in a sweaty mess on the floor.

No!

The get-up is all about tuning the body. The words “tune” and “tone” come from the same root. When we train people, we should be trying to tune them up. If you sit too much, stretching the hip flexor family and strengthening the glutes will do much more together.

When someone struggles in a get-up or cheats a position a bit, it tells us that something is going on today. I use the get-up and variations of it to access what is going on with a person that day. An unusual hitch in movement or a lack of mobility here or there can be addressed instantly if we see the get-up as a tuning exercise rather than a trashing movement.

Speed can mask problems. The get-up highlights weak links and poor linkage. My old training partner, John Price, used to always remind me, “An athlete is only as good as the weakest link.” The get-up is a different movement after a trip over ten time zones. The get-up is a different movement the day after an American football game.

But, a few minutes of intelligent corrective work, and tuning the body, allows us to get back into the game.

Stu McGill, the famous Canadian back specialist, offers trainers and coaches a challenge for every workout and program: after the exercises and rep scheme, write a column to explain why each exercise and rep is included.

When it is not included in a workout, we should ask why the get-up is NOT there.

***

Master RKC, Dan John is the author of numerous fitness titles including the best selling Never Let Go and Easy Strength. Dan has spent his life with one foot in the world of lifting and throwing, and the other foot in academia. An All-American discus thrower, Dan has also competed at the highest levels of Olympic lifting, Highland Games and the Weight Pentathlon, an event in which he holds the American record.

Why Recertify?

May 18, 2016 By Dan John 5 Comments

Dan John Instructing at the 2016 San Jose RKC

As I review my half-century in the weightroom (I started lifting in 1965), I begin to see our world of strength through the lens of something Arthur Schopenhauer noted:

“When you look back on your life, it looks as though it were a plot, but when you are into it, it’s a mess: just one surprise after another. Then, later, you see it was perfect.”

With my massive collection of Strength and Health magazines and the short-lived American Athlete magazine, I can pick up an issue from just after World War II and see articles about how to repair the wounded warriors. The training presented for injured veterans was just like what most people now consider training: laying down on machines, isolation work and a few sets of about eight to ten reps. While that kind of training is perfect for someone with compromised health and fitness, it’s not optimal for elite sports performance!

I can read articles from the 1950s and see kettlebells used for leverage work, curls and grip training. I have found swing articles from the 1960s that emphasize dangerous overflexion at the hinge and overextension at the plank.

Yes, kettlebell work had basically devolved into a mess. Powerlifting had pushed Olympic lifting out of the way, and the bench press became the answer to every question. It wasn’t a good answer. Some excellent coaches and trainers were pushing the strength envelope, but others were bogging us down. Speaking of bogging us down in the mess, one famous strength coach advocated using mud as resistance and noted “progress will be made.” It works for pigs, so why not?

“Whadduya bench?” became the fitness standard. We saw the rise of the machines for leg training—as if leg presses indicated anything in the field of play or nature. The world of lifting was a mess.

Dan John's Goblet Squat — Dan John’s Goblet Squat

And then, the kettlebell returned and all credit—all credit—goes to Dragon Door if you wish to be historically sincere. As an Olympic lifter, I couldn’t fathom how these kettlebells could help me. I was surprised when I learned that the swing (done correctly and not how I first did it) made me a better Olympic lifter when I better understood the hinge. As much as I knew how to coach the squat, the horns on the kettlebell allowed me to teach pushing out the knees with the elbows. And, I invented the goblet squat.

One arm pressing trumped most of the overhead work I was doing with throwers as it demanded the hard work of the whole chain of anti-rotation muscles.

I became a better coach with kettlebells. But, I wouldn’t have been ready for them when I first saw them in Strength and Health.

As if kettlebells were a part of my coaching life’s plot, they arrived exactly when they needed to arrive…like what Gandalf says about wizards.

I learned enough to fill my head at my RKC certification in San Jose in 2008. Oddly, I learned even more a few months later as an assistant at an RKC at UCLA. And, I learned more again and again and again…

I started coaching in 1979, and thirty years later my head was being filled again!

I tell people all the time, you can’t think through a ballistic movement. To understand the swing, snatch and clean, you need to “hear” the standards, drills, corrections, and the insights several times before it “clicks.” Oddly, your technique might be seamless, but you might not be able to coach someone who has a simple error in their technique. Or, you might be able to “see” the problem, but your own technique is muddled.

When it comes to the goblet squat, get-up and press, are you really prying, packing or patterning the correct path? Or, are you just getting the reps in? Are you putting the kettlebell down like a professional every single time? How is your breathing? Your tension?

Hip Hinge Coaching San Jose RKC

You need other eyes. You need community.

You need to recertify!

I work with a handful of RKCs daily. It is a rare few weeks, when someone does NOT take me aside and point out that I’m making a basic error. On paper, I am a Master RKC—but in my own training, I am just another person swinging a kettlebell. I try not to get lazy. I try to stay packed and attack the hinge.

…but sometimes I don’t.

Over time, skills degrade. “Safety is part of performance,” except when we get tired, lazy or pressed for time. There are no excuses for lack of safety!

Dan John Coaching San Jose RKC Recertifying will get eyes on you again. Recertifying for $500 means three days of expert teaching and evaluation from at least three people, if not many, many more. This is a bargain compared to hiring a personal trainer.

Whenever anyone returns from a retreat, a clinic, conference, or workshop, the enthusiasm and excitement drips off of them. They have clear eyes and a missionary zeal.

When I first embarked on my RKC journey, I came home and converted everyone I knew to the “Kettlebell Crusade”.

But, like all things, this wanes over time. It’s not bad or good, but without community, without an ongoing dialogue, the battery runs out of excitement.

Outside of an annual visit to “Kettlebell Kamp”, the best thing I can recommend is recertifying.

For as much as I learn during the day, I think I learn more at night. At dinner, we exchange emails, gym insights, training mistakes, and fixes. A wealth of information seems to fit perfectly on a napkin. My favorite RKC dinner moments are when John Du Cane gives me a “MUST” read book recommendations. I am forever grateful for his recommendations.

JDC does an interesting thing, when he asks for my book recommendations, he opens his phone and buys the books as I list them. If you believe in Shark Habits (“One bite!”) like I do, then this is a good example to follow.

It’s a rare day when I do NOT get a text, email, post, or message from someone I met at an RKC. It’s nice to recommit to the shared experience. But, people still move on, drop off and walk away. Recertify your way into a new group of people who can walk the walk with you.

For example, if you were certified before 2008, you missed the goblet squat. Since then, the get-up has been revamped several times. Finally, I think we’re teaching it with the appropriate steps, corrections, and drills. The sections on programming are tighter and clearer with more actual programs.

San Jose RKC Seth Munsey Group Getup

There are more swing drills and clearer correctives. In other words, the RKC is evolving. There was nothing wrong with the Sig Klein articles in Strength and Health, but kettlebells and kettlebell training has evolved. I rarely wear leopard skin and lace up boots when I train. (Note: I said when I train. My gym is judgment free, so you would be welcome to do what you need to do.)

I enjoy being part of this evolution. As much as I loved the original notion of the “kettlebell revolution”, the kettlebell won. If you are keeping score, I enjoy the kettlebell evolution ever more. Hundreds of people teaching thousands of clients with millions of swings will produce new insights, new ways of teaching and greater clarity with problems and issues.

I believe in investing in my continuing education. I sit in the front row at workshops and sign up for a weekend certification or conference at least once a year. It’s hard to find a better deal than the $500 for the three-day RKC recertification.

In 1993, with two little girls in the house, I flew out for a week-long discus camp at Dennison University. For that week, Tiffini worked full-time along with fulfilling full-time mommy and daddy work. It cost a lot—money we didn’t have—and it was a ton of work for me.

But, it changed my life. I have gone back every year since. It sharpened my coaching toolkit, opened my mind to new possibilities, and honed my own techniques.

We have earned back, in every way, this investment.

Look at recertification with the same lens: for $500, you are recertified for three years. More importantly, you’ll have a chance to fill your quiver of arrows, add new tools to your toolkit, experience a dynamic new community, learn new and evolving information, and get new sets of eyes on your technique.

The question shouldn’t be “why recertify?,” it should be “why not?”

It is the perfect way to plot your career.

****

Master RKC, Dan John is the author of numerous fitness titles including the best selling Never Let Go and Easy Strength.

Dan has spent his life with one foot in the world of lifting and throwing, and the other foot in academia. An All-American discus thrower, Dan has also competed at the highest levels of Olympic lifting, Highland Games and the Weight Pentathlon, an event in which he holds the American record.

From the RKC manual:
There are four compelling reasons to recertify and keep your RKC status.

The number one reason to recertify is to keep your skill level up to the current standards of the RKC. This signifies the importance you place on continuing your education and keeping your personal athletic skills sharp.

The second reason to recertify is the obvious benefit you receive from the Dragon Door marketing machine, by being listed as an RKC on the DragonDoor.com website. This can lead potential clients to you and give you a presence within and outside your on community.

The third reason to recertify is the ability to network with like-minded trainers. This is an extremely valuable tool to help keep you current, offer support and advice in all manners of kettlebell training and professional issues.

The fourth reason, is to continue to receive a discount on purchases of kettlebell and Dragon Door kettlebell products. Orders can be placed by logging you’re your instructor account online, where qualifying products are automatically discounted, or by calling DragonDoor.com customer service at 1-800-899-5111 or internationally 214-258-0134. Identifying yourself as a currently certified instructor is required, so the phone agents know to use your account to place your order.

How to Nail the RKC Kettlebell Snatch Test Once and For All

February 17, 2016 By Dan John 11 Comments

Nailing the RKC Kettlebell Snatch Test

The RKC Kettlebell Snatch Test seems to bother many people. It’s 100 reps, and quickly indicates the issue:

Is it your lungs?
Is it your buns?
Is it your guns?

During the snatch test, the skin comes off your hands, sweat drips in your eyes, and your organs seem to rise up in rebellion. If you have been practicing the snatch test by practicing under ten reps, resting for a set period, then repeating, you can usually have pretty lousy technique without ripping skin off of your hands.

Sadly, for the people I have prepped, I learned that the proper way to help someone improve their kettlebell snatch is to wait until around rep 70 to comment. The challenge of doing 100 reps in a set period of five minutes demands that the candidate bite the bullet and learn to keep snatching properly throughout the challenge.

After the first Belfast RKC, one attendee wrote, “With one sentence, you changed the way I snatched and I nailed the test.” I asked what the sentence was and the newly minted RKC answered, “It was when you said that you need the courage to drop the kettlebell into the swing with authority each and every time.”

Remember, first and foremost:

The swing is a swing.
The clean is a swing.
The snatch is a swing.

The bulk of the issues most people have with the clean or snatch can be cured by coaching the swing portion of the moves. As if by magic, learning a proper swing for the clean or snatch stops most wrist banging and lockout issues.

But, for a proper swing, we must set up for it with a good drop from the snatch. Teaching the kettlebell snatch “from the top down” has advantages that are only apparent when the reps are high. Again, a few sets of five then resting will be a lot different than going after 100 snatches in 5 minutes.

Three terms that seem to help 99% of the population when working with the snatch from the top down are: “Pour the Pitcher,” “Swim” and “Unzip the Jacket.” Before getting into the specifics, let’s look at a key principle explained at a recent workshop, the position of the body in the “Cylinder.”

In the Olympic lifts—especially the locked out front squat position just before the jerk (or in training movements)—the lats are flared out, and the chest is tall in what most people would recognize as the traditional “Muscle Beach” pose. Although this posture is ideal for some movements, we want a slightly different position. The opposite of this posture is the “hollow rock” from gymnastics. While it is perfect for holding an Iron Cross on the rings, this position is not what we want for our RKC movements. Instead, consider a position “in the middle.” Now, I love continuums, so think of the Olympic lifting posture on one end, and the hollow rock on the other—the RKC cylinder would be in the middle.

RKC Kettlebell Snatch Test Collage

This insight allowed me to finally connected the dots in regards to holding the hips in a neutral stance for training. If the pelvis is like a bowl filled with water, we want to stand (and stretch and move generally) without the water pouring out forward, backward or to either side. Utilizing this notion of a cylinder helps immensely with the hip position, too. It’s like the story of the Three Bears, one wants to stand “Just Right.”

While we are discussing posture, let’s add an additional insight about the packed shoulder. Sometimes, it is difficult to teach the packed arm to experienced athletes. Years of compensations can make some people convinced that their shoulders are packed, when in truth, their traps are on their ears! Fortunately there’s a very simple solution for this problem:

Years ago, Janis Donis, the famous Javelin thrower, told me that all throwing movements need to be done with an “open armpit” to protect the shoulder. This idea illuminated my discus throwing and kept me trouble-free with decades of pain-free shoulders. Literally, the entire armpit should be exposed for throwing movements. It shouldn’t twist or turn the shoulder down, a movement that often signals an “arm throw.”

As I worked with more and more guys who had played collision sports and trained like bodybuilders, teaching the packed shoulder became a more of a chore. Between the injuries and Frankenstein training, many athletes were not aware of where their shoulders were. Many were thinking, “Isn’t it right next to my head?”

Get ready for my million-dollar drill: Grab the tag on the back of your shirt collar. For most people, this will pack the shoulder “instantly”. Now, many people will need to slide down the spine a bit more to get the position, but this simple movement “instantly” packs the shoulder. Note how the bicep is on the ear? This is also probably the most-heard phrase during waiter walks, consider how “open” the arm pit has become with this simple move. Now, hold the shoulder in this position and simply straighten the arm. Now we have the packed shoulder and the open arm pit. Now that the body is in the cylinder, it is time to drop the kettlebell.

Let’s look at three terms or images that all lead to the same powerful swinging hip hinge. Let’s start with “Pour the Pitcher.” Now, if I drop the kettlebell straight down, my head is the first point of contact. Hitting the head multiple times with a heavy kettlebell is NOT optimal. Yes, please feel free to quote me on that. So, obviously, we need to push the bell forward. But, launching it straight out to the position of the top of the swing is not perfect either. With a heavy kettlebell, the athlete simply can’t counter this movement, and the athlete will either be pulled forward, or the kettlebell may even cause damage or injury—this is a lot of force in a bad position!

The first image I ever heard for the proper drop was “Pour the Pitcher.” With the thumb leading from the lockout position, simply turn the wrist and think of pouring milk on some cereal. (Just think of the cereal, don’t eat it. Cereal is for cows. Eat the cow instead.) Because of gravity, the kettlebell will start coming down in front. I encourage people to immediately get “the courage” to attack the hinge here.

“Swimming” is another cue that helps some people. Like the crawl stroke, imagine bringing the bell down the midline of the body as if you were doing laps in a pool. This image immediately made sense to me because the correct crawl stroke isn’t performed with a straight arm or a precisely prescribed angle, the elbow angle “depends” on many factors. The same is true for the kettlebell snatch. I also like this term because it illustrates that this is a dynamic movement, not just a simple free fall.

“Unzip the Jacket” is a phrase I heard at my RKC in San Jose. Simply, one should think of unzipping a jacket. Again, there is no National Zipping Policy, so there will be multiple ways to accomplish this task. As always, keep thinking about attacking the hinge.

Something I hear over and over from RKC candidates who FAIL the snatch test is the following kind of statement:

“Well, I did 30 reps the first time I tried the test, then built up to 54 with the 24kg kettlebell. I was hoping that the energy and enthusiasm of the group would get me those last 46 reps.”

I believe that you should come to the RKC already able to do 100 reps of the snatch. Now, that doesn’t mean every workout is done with the snatch-test weight kettlebell. Months before the RKC, I often recommend that the candidate use lighter kettlebells—as light as 12kg for men—and do several sets of 100 in training. I think it helps to “get used to” 100 reps.

Recently, I did a little challenge where I had to do 100 reps with the 24kg kettlebell. At 18 reps, I smiled. Later, I was asked, “Why did you smile?” Well, it’s because I use this system:

20 reps with my left hand
20 reps with my right.
15 left
15 right
10 left
10 right
5 left
5 right

This system gives a total of 100 reps with only seven hand switches. At 18 reps, I figure that I only have two more reps left with my weak hand and then I get to use my strong hand. In my mind, the first twenty reps get me over the hard part! The next eighty reps will be dessert.

But, if you don’t have the courage to actively drop the kettlebell for each and every rep, every rep will be hell.

****

Master RKC, Dan John is the author of numerous fitness titles including the best selling Never Let Go and Easy Strength.

Register for the Upcoming 2016 San Jose, California RKC taught by Master RKC Dan John with Senior RKC Chris Holder, and RKC Team Leader Chris White

Why The HKC Is The Answer To (Almost) Everything

November 11, 2015 By Dan John 10 Comments

HKCKettlebellGetUp1

Sometimes, when I repeat the same answer to a question more than a few times, I begin to wonder why people even ask me questions.

Exercise for Fat Loss?
“Swings, goblet squats and Turkish get-ups.”

Elderly clients?
“Swings, goblet squats and Turkish get-ups.”

Travel related issues for elite athletes and collision occupations?
“Swings, goblet squats and Turkish get-ups.”

Most people come to coaches and trainers wanting a magic wand treatment, Harry Potter and the Six Pack Abs, but what they NEED is hip flexor stretching, t-spine mobility, rotary stability and basic movements. They NEED to move. They NEED to open the hips and spine and shoulders.

They need the information from the HKC.

I have spent my life trying to understand weightlifting. It seems to me that there are three important keys:

Fundamental Human Movements
Reps and Sets
Load

Sadly, I think this is the correct order that we should approach weightlifting. First, we need to establish the correct postures and patterns, then work around reasonable “numbers” of movements in a training session. Finally, we should discuss the load. Sadly, the industry—and I am guilty of this as well—has switched the order and made a 500 pound deadlift the “answer” to improving one’s game or cutting some fat.

And, please note, I said “training session.” Oh, I can work you out:

“Hey, go run to Peru!”
“Hey, go do 50,000 burpees.”
“Hey, go swim to Alaska.”

But, please don’t think any of that is going to improve your skill set or your long term ability to do anything from sports to simply aging gracefully.

At the HKC, we learn what I consider to be the key patterns to human movement: the swing, the goblet squat and the get-up. The “Hip Displacement Continuum” (HDC) is a term I invented to discuss hip movement. The HDC has two ends: the swing and the goblet squat. The swing demands maximal hip hinge and minimal knee bend while the goblet squat demands maximal hip hinge along with maximal knee bend.

HKCNicoleKettlebellGetUp

They are the same—but different—in their ability to remind the body of the most powerful movements it can perform. The get-up (not the “Turkish sit-up” as I often note) is a one-stop course in the basics of every human movement from rolling and hinging to lunging and locking out.

So, the HKC covers basic human movements in a way that is unlike any other system or school. As I often argue, add the push-up and, honestly, you might be “done.” Here are the basics of proper training:

Training sessions need to be repeatable.
Training sessions should put you on the path of progress towards your goals.
Training sessions should focus on quality.

So what it the key to quality? I have a simple answer for most people: control your repetitions.

In teaching the get-up, or when using this wonderful lift as a tool to discover your body, keep the reps “around” ten. Now, you can think about this as a total of ten with five on the right and five on the left, or you can try ten right and ten left. But, please don’t make a war over the numbers. Do the get-ups, feel better and move along.

I have noted that if I do get ups as part of my warm up along with some get up drills for “this or that” (the highly technical name I use for correctives), I am sweating and pushing into a “workout” around ten total reps. Certainly, at times you can do more. But, week in and week out, think “around” ten reps for the get-up.

The goblet squat seems to lock in around 15-25 reps per workout. I offer you the “Humane Burpee” as a way to try this concept:

10 Swings
5 Goblet squats (put the bell down between your feet under control)
Inchworm out to the push-up position (walk on your hands)
5 Push-ups
Inchworm back to starting position
10 Swings
4 Goblet squats (put the bell down between your feet under control)
Inchworm out to the push-up position (walk on your hands)
4 Push-ups
Inchworm back to starting position
10 Swings
3 Goblet squats (put the bell down between your feet under control)
Inchworm out to the push-up position (walk on your hands)
3 Push-ups
Inchworm back to starting position
10 Swings
2 Goblet squats (put the bell down between your feet under control)
Inchworm out to the push-up position (walk on your hands)
2 Push Ups
Inchworm back to starting position
10 Swings
1 Goblet squat (put the bell down between your feet under control)
Inchworm out to the push-up position (walk on your hands)
1 Push-up
Inchworm back to starting position

Finished!

That’s 50 swings, 15 goblet squats and 15 push-ups. 8-5-2 will give you the same results with less swings, if you need to do less (Only 30!).

One of the great insights, among many, that I picked up at the RKC is the idea of doing twenty swings with one kettlebell and ten swings with two kettlebells. After doing literally hundreds of swings a day, I noted that my technique held up fine in that ten and twenty range. It is the basic teaching of sports: don’t let quantity influence quality. In other words, ten good reps is far better than dozens of crappy reps. If you want more volume, just do more sets.

Absolutely, there are times when you should do more than twenty. There are times when you want to do all kinds of things. But, most of the time you just want to keep moving ahead. I usually call these the “Punch the Clock” workouts and I think they are the key to staying in the game.

So, you may ask, is this enough?
Over time, yes!

Tim Ferris, RKC-II, tells us in his excellent book, The Four Hour Body that there is a minimum effective dose (MED) of everything fitness related. Although the number I am about to share has a bit of wiggle room, it seems that 75-250 swings a day is the “wheelhouse” for the swing MED. Yes, you can do more, but you want to be able to do it literally day in, day out, year in and year out.

Finally—and don’t take this as a joke, I mean it—if it is too light, go heavier. And, if you went too heavy, try a lighter bell. Doing the little “Humane Burpee” with a big kettlebell is a killer workout. But, it is simple to scale it up or down by simply changing the kettlebell, it’s that simple. When you look at movement first, then reps, then for whatever reason, the loading makes more sense too.

This is the essence of the HKC and I love it. In a one-day course, we learn and do (a lot of “do”) the three core movements of the kettlebell world.

Prepping for the HKC is not as complex or deep as the three-day RKC. Showing up “in shape” and ready to learn would be ideal, but I would also recommend include some additional mobility work and perhaps some work on the hinge, squat and some basic rolling to prep for the event.

The time you spend prepping for the event pales in comparison to what you do AFTER the HKC. I always send along the following Twenty Day Program to guide our attendees deeper along the RKC path.

(One note: during the HKC, I always include waiter walks and rack walks as part of the get-up section. From there, I show the one arm press and introduce the kettlebell clean. This way, the participant has the tools to prep for the RKC. I trained for the RKC with clean and press, swings and what I thought were snatches at the time. So, I ask people to press as soon as they can with kettlebells.)

HKCKettlebellGobletSquat

The First Twenty Days

Fresh from a new learning experience, there is always a tendency to want to do everything at once. But that approach is tough to do and fraught with long and short term issues. The first twenty days after the HKC experience should be a time to strive for mastering the movements and training the positions. Don’t add speed and volume to poor movements—take your time to practice.

These twenty workouts can be done five days a week (for a total of four weeks) or three days a week (sneaking up on two months) or any way you choose. These will provide the ground work for a solid base. Strive for mastery.

Daily Warm Up

It is generally a good idea to go through some mobility drills especially for these areas:

Neck
Shoulders
Thoracic mobility
Hips

Each week, take one day to do a full “toes to top” mobility workout.

It is recommended that you do the hip flexor stretch during each warm up and cool down period; it can be done very well with an easy set of goblet squats. Many find a few easy sets of swings, a few goblet squats and a weightless set of one to five get-ups on both sides to be enough of a warm up.

Day One

3 Get-ups right, 3 Get-ups left

Practice hip hinge

Goblet squats: 2-3-5-2-3-5-2-3-5

15 Two hand swings
1 Goblet squat
Ten reps of high knees “March in Place” (Each time the right foot hits is “one rep”)
Recovery breathing (up to two minutes)
Do this for a total of 3 rounds.

5 Minutes of pressing practice.

Day Two

2 Get-ups right, 2 Get-ups left

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2-3-1-2-3

Day Three

1 Get-up right, 1 Get-up left

30 Seconds of two hand swings/30 Seconds of “Fast-Loose” drills
20 minutes total time

Practice goblet squat

Day Four

10 Minutes of get-ups (alternate right and left)

15 Two hand swings
1 Goblet squat
10 Reps of high knees “march in place” (each time the right foot hits is “one rep”)
Recovery breathing (up to 2 minutes)
For a total of 3 rounds

Day Five

5 Get-ups right, 5 Get-ups left

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2

Day Six

3 Minutes of get-ups (alternate right and left)

30 Seconds of two hand swings/30 Seconds “Fast-Loose” drills
10 minutes total

Goblet squat: Several sets of 5 with a pause at the bottom

Day Seven

1 Get-up right, 1 Get-up left

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
2-3-5-2-3-5-2-3-5

Day Eight

10 Minutes of get-ups

Practice hip hinge

Practice goblet squat

Practice press

Day Nine

15 Two hand swings
One goblet squat
10 Reps of high knees “march in place” (Each time the right foot hits is “one rep”)
Recovery breathing (up to 2 minutes)
For a total of 5 rounds

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2

Day Ten

5 Get-ups right, 5 Get-ups left

30 Seconds of two hand swings/30 Seconds “Fast-Loose” drills
5 Minutes total

Goblet squats
2-3-5-2-3-5

Day Eleven

5 Minutes of get-ups (Alternate right and left)

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-5-1-2-3-5-3

15 Seconds of two hand swings/15 Seconds “Fast Loose” drills
10 Minutes total

Day Twelve

1 Get-up right, 1 Get-up left

30 Seconds of two hand swings/30 Seconds “Fast-Loose” drills
5 Minutes total

Goblet squats
1-2-3-1-2-3-1-2

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2

Day Thirteen

10 Minutes of get-ups (Alternate right and left)

15 Two hand swings
One goblet squat
10 Reps of high knees “march in place” (Each time the right foot hits is “one rep”)
Recovery breathing (up to 2 minutes)
For a total of 10 rounds

Day Fourteen

1 Get-up right, 1 Get-up left

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
2-3-5-2-3-5-2-3-5

Day Fifteen

1 Get-up right, 1 Get-up left

30 Seconds of two hand swings/30 Seconds “Fast-Loose” drills
5 Minutes total

Goblet squats
1-2-3-1-2-3-1-2

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2

Day Sixteen

15 Two hand swings
5 Goblet squats
1 Push-up
10 Reps of high knees “march in place” (Each time the right foot hits is “one rep”)
Recovery breathing (up to 2 minutes)
For a total of 10 rounds

Day Seventeen

5 Minutes of get-ups (Alternate right and left)

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
2-3-5-2-3-5-2-3-5

Day Eighteen

3 Get-ups right, 3 Get-ups left

30 Seconds of two hand swings/30 Seconds “Fast-Loose” drills
20 Minutes total

Day Nineteen

Goblet squats
5-10-5-10-5

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
2-3-5-2-3-5-2-3-5

Day Twenty

1 Get-up right, 1 Get-up left

30 Second of two hand swings/30 Seconds “Fast-Loose” drills
5 Minutes total

Goblet squats
1-2-3-1-2-3-1-2

One hand press (Start with “less strong arm” and alternate arms. “One rep” is one arm right hand press and one arm left hand press)
1-2-3-1-2-3-1-2

HKCKettlebellSwing

So, there you go! The HKC is more than just the entry into the kettlebell world. It is the foundation of everything you will learn. The three movements of the HKC are the core to conditioning, mobility and goal achievement.

Welcome aboard.

***

Master RKC, Dan John is the author of numerous fitness titles including the best selling Never Let Go and Easy Strength.

Register for the Upcoming 2016 San Jose, California RKC taught by Master RKC Dan John with Senior RKC Chris Holder, and RKC Team Leader Chris White